Kate Williams Quotes
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I've written extensively on Queen Victoria and Queen Elizabeth and seen up close how those women, who were born when the country hoped for a male heir, made their way as leaders.
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I wonder if there'll ever be a time where you're not judged by your appearance. It seems that wherever you've got to, your appearance is always discussed. It's never said about men. We talk about a man's charisma, not his looks.
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The British Museum was our first real museum, the property of the public rather than the monarch or the church.
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Are we really so far from the Victorians? Much of what our society holds important was shaped in the 19th century.
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Anglo-Saxon kings often used to favour their sister's son to their own - for at least you could guarantee there was your own blood in your sister's son!
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One of Britain's big problems throughout history has been that we lust after consumer goods from elsewhere, but our friends overseas have been less enthusiastic about buying things we produce.
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The 19th century became the age of the museum. Objects were scrambled for, specimens seized, and friezes and antiques grasped.
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Precise historical reasons are difficult to pinpoint, but red hair, it seems, bestows a sense of otherness. Red is the colour of blood and danger.
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Redheads were particularly persecuted during the European witch trials of the fifteenth, sixteenth and seventeenth centuries. The colour was associated with the devil, and the pale skin which most redheads have was thought unnatural and deathly.
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I am part of a team organising an Emma Hamilton exhibition for the National Maritime Museum for 2016, and the amount of planning is a revelation - borrowing from museums and collections all over the world.
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Throughout the 19th century, Britain bought cheaply from the countries of the empire and compelled subject countries to buy our goods at high prices.
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I wouldn't mind an original letter from Napoleon to Josephine - in the early days, his letters arrived torn to pieces because he was overwhelmed by his passion for her.
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I like boxes because of the secrets they hide.
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The modern museum has multiple purposes - to curate and preserve, to research, and to reach out to the public. They challenge us and ask us to question our assumptions about the past or the world around us.
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I receive many letters from people hoping to research their own houses.
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Indeed, throughout much of history and in many cultures, redheads have been viewed with suspicion and fear - and even killed - because of their hair.
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I used to hate reading my old work, but now I'm rather fond of it. I quite like going through it in the hope of making it better.
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When Elizabeth II was crowned – the sixth female monarch since the Norman conquest – the world lit up in her favour.
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Queens perhaps perform better in the role of monarch because they never take their position for granted. Many kings have failed because they believed that the public would love them whatever they did. Queens knew better.
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Women's stories have been neglected for so long - unless they were queens. Exploring the history of women is a way of redressing that imbalance.
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As historians, we spend days in archives, gazing at account books. We train would-be historians in the arts of deciphering letters and documents, early Latin, scribal handwriting, medieval French.
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One woman came up to me at a lecture and observed that I was much fatter than on television; I think I look better onscreen than in real life. It's the lights.
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Eighteenth-century matrons would have never have dreamed of appointing a redhaired wet nurse for their precious offspring - redheads passed on their horrible characters through their milk.
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I've always considered myself to look like a rather plain-and-exhausted bluestocking, so it's rather odd to read Tweets commenting on my appearance.