Alex Lifeson Quotes
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Certainly after the tragedy in Neil's life, we were holding out hope for his recovery. It wasn't too promising at the time and obviously you get to the point of thinking that that is it.
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But I think the credit has to go to Geddy... he spent a lot of time in the studio with Paul, I think he needed that kind of focus to be in there to be a part of the whole thing, and for the most part he made all the major decisions.
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I'd say we do reach somewhat of a younger audience, but I think for the most part that younger audience is picking our music up from a brother or sister or even parent, who is turning them onto the band.
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My parents got me a $25 Kent steel-string acoustic guitar when I was around 12. The following Christmas, my parents bought me a Conora electric guitar. It looked almost like a Gretsch. It cost $59, and my mom still has it.
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The shock of any trauma, I think changes your life. It's more acute in the beginning and after a little time you settle back to what you were. However it leaves an indelible mark on your psyche.
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Both Neil and I had done solo projects where we were the boss and I just thought that if he was willing to get into it, it would really be a good experience for him.
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I dreamed of having a Gibson. I had a cheap Kent - you know, a Japanese guitar - and then a Kanora, a Japanese guitar. I borrowed a friend's Harmony for years. To have a Gibson was really, really my dream as a kid.
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A lot of '2112' was written in the back seat of a car and in cold dressing rooms while on tour in northern Ontario.
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The more I got into playing guitar, the more I enjoyed music, and the broader my listening became. The instrument itself became important to me, and I started messing around with classical guitar and took classical lessons.
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At the same time, I've never been afraid of death or the concept of death.
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You know, we have a long history of covering different periods of this band's development with a live record... a sort of live thing that would be done for three or four records, and that was the intention with this particular package.
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Bryan Adams might not be what I want to put on, but he's a pop singer with a great voice and great guitar tone. Plus, he's done more for Canada than Rush have, because he works all the time. I envy him for that.
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Of any guitarist, Jimmy Page was my biggest influence. I wanted to look, think and play like him. Zeppelin had a heavy influence on Rush during our early days. Page's loose style of playing showed an immense confidence, and there are no rules to his playing.
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'Tom Sawyer' could have been written eight months ago, with the kind of response it still gets.
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In September 1968, Rush played for around 20 people at a small hall in a church basement. We played songs like 'Spoonful,' 'Fire' and 'Born Under a Bad Sign,' and got paid $10. Then we went to a nearby deli and ordered Cokes and French fries and started planning our future.
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I really consider myself more of a rhythm guitarist than a soloist.
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I think we're quite unique in that we do have our own sound and approach and we don't really care what's going on elsewhere... we've never wanted to be part of another trend or movement.
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The thing is, I don't take anything for granted anymore - my family, my music, you name it.
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It's hard to stop wars, and it's hard to stop the abuse of the planet and all of those things. I guess you just do what you can do and voice your concern.
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But when Neil called, I have to say that my heart soared. And the reason was, because it said so much about his recovery... that he was coming back to the world of the living.
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When I sit down and play guitar, I melt into the instrument. I can play for hours by myself. Playing guitar has given me such a wonderful life, and I'm grateful for it.
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People are getting away from the whole album experience, it's true. I think that's sad. Maybe I'm just saying that because I'm an old fart. But I can't help it - albums are what I grew up with, and I still love them.
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If there was any one achievement, it would be that we've have done it on our own terms.
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I enjoyed art in school. I've always done little drawings and stuff like that. I don't really know what I'm doing with the painting, but I experiment.