David Oyelowo Quotes
Every time I go to Africa, I feel like I hit true north. There is a depth of feeling that I have for the continent, in the richness of the people, the suffering , but also the transcendent joy that is there - it's like nowhere else on the planet.
Quotes to Explore
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I wouldn't be where I am without Evolve.
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Magneto wants to cope with the difficulties thrust upon him by society and by his own nature.
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I'm just a black hole for stuff. No one should ever hand me anything, because I get so easily distracted. I'll be like, 'Oh, look, something shiny!' I'm glad I never learned how to drive. I would be really dangerous.
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Once brave politicians and others explain the war on drugs' true cost, the American people will scream for a cease-fire. Bring the troops home, people will urge. Treat drugs as a health problem, not as a matter for the criminal justice system.
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Think of an economy where people could be an artist or a photographer or a writer without worrying about keeping their day job in order to have health insurance.
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The differences between revolution in art and revolution in politics are enormous. Revolution in art lies not in the will to destroy but in the revelation of what has already been destroyed. Art kills only the dead.
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When someone has to intervene to defend the liberty of the press, that society is sick.
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It makes no difference whether a work is naturalistic or abstract; every visual expression follows the same fundamental laws.
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It's really hard for kids nowadays: you can get a decent education, but there are no jobs out there. You worry about how they are ever going to afford to live anywhere.
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All of the characters in my films, they share one commonality. It doesn't matter whether they are good or bad, it doesn't matter whether they are smart or stupid, these characters all take responsibility for their own behavior. I'm much the same.
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Being Iraqi taught me to be very cautious.
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For everybody that does something bad there's gotta be someone that does something good.
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The hardest thing about being an unpublished writer is that there's always that voice in your head that asks if you're really being a fool. You might just really stink and not know it. You have to have a lot of blind faith in the process. You have to like it so much that you're going to do it anyway.
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I just always wanted to be left alone to go into a creative space.
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I don't want to mess with my face. So I'm becoming fluent in French so I can go to France and make French films when I'm 60.
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When I'm writing something, I try not to get analytical about it as I'm doing it, as I'm writing it.
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I'm proposing a change: love thy worker-bee. Celebrate the ones who toil without complaint, play on a team, construct the hive, produce the honey... executing the plan!
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I still write in long hand. I type like a chimpanzee.
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Names, once they are in common use, quickly become mere sounds, their etymology being buried, like so many of the earth's marvels, beneath the dust of habit.
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When I get onto the pitch, I block out everything around it, and I really focus on the pitch.
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There is no adequate definition for creative writing, any more than it is possible to describe pain or flavor or color.
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That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.
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We've got in the habit of not really understanding how freedom was in the 19th century, the idea of government of the people in the 19th century. America commits itself to that in theory.
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Every time I go to Africa, I feel like I hit true north. There is a depth of feeling that I have for the continent, in the richness of the people, the suffering , but also the transcendent joy that is there - it's like nowhere else on the planet.
