David Puttnam Quotes
My belief is that no movie, nothing in life, leaves people neutral. You either leave them up or you leave them down.
Quotes to Explore
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It's extraordinary what children put up with. I happened to see two of my uncles put my father up against the wall of my grandmother's house and knock his teeth out, because he'd been unpleasant to my mother. The next day I went upstairs and found my father making a rather half-hearted attempt to gas himself.
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There has never been a female director who has won an Oscar. There has only been one woman who won at the Cannes Film Festival.
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I have always had a horror and detestation of poverty.
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I grew up as a country boy.
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I want to be here for a long time, so I am going to do everything I have to do to be here. And I want to walk my daughter down the aisle and give her away to somebody some day. I want to make sure I am still here to make sure my two young sons become men.
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I never wanted to give up my given name. I'm proud of it, but the only problem was that no one remembered it. It was just a little too awkward, and they mispronounced it so frequently.
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It's always difficult with the superhero stuff because you're working with characters who have been written by 100 to 200 people over the past 20 years, at least, so they never sound the same or act the same. The best approach is to try to draw the best fitting line through all of the interpretations.
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As a mom, you do what you have to do without even thinking about it.
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You can tell the difference between songs that were created in a garage and songs that were created in the studio.
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I remember growing up always loving the guitar. I used to love to watch the people play on the Country Western shows on TV. My folks told me that when I was just a toddler, I used to pretend I was playing a guitar on a toothpick.
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I'm the eldest at 51, and if the Stones can drag themselves around once more, then there's a few more albums in us.
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The results showed that Joe Mokoena and I had made history. For the first time in the history of education in South Africa, two African students had passed the JC with a First Class degree, regarded as a rare achievement for any student.
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With the coaches, you don't want to hear everybody saying, 'Move over! Back up! Do this!' Let's find out what the players know.
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I'm all over the place, and I consider myself a bit of a scrounger: 'What will I do next, so I'm not broke?'
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I really like Los Angeles - I had a good life out there. But the reason I choose to live in New York is because when I'm between engagements, as they say, something creative always comes up for me, like 'Julian Po,' or helping teach at NYU, or helping stage a show at Juilliard.
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It can't be any simpler: the farewell is going to be on the Champs-Elysees.
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Working on 'Girls' opened up a lot of opportunity for me. It's like a dream job. It's a dream.
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Normally, young writers have all the time in the world and they don't always use it well.
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Sana Takeda is a genius. It's really that simple. Her vision and sense of story and beauty is beyond compare. I loved working with her on 'X-23.' I knew, though, that she could do much more beyond the constraints of a traditional superhero story.
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A biography is never a biography of one person, of course, but the individual life of your protagonist will never conform. It will always bang up against history.
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It's all about tuning out the noise, tuning out all the stuff that simply doesn't move the game forward - the doubt, the personal agendas, the often deafening fear of judgment and the need to please - so that you can ultimately get to that place of quiet, of calm, where you can focus on what really matters.
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I was able to go from stage hand to floor manager to assistant director to director in a year because there was just no one else to do it and what I didn't realise and what people don't understand now about television is that we used to do about five shows a day.
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My belief is that no movie, nothing in life, leaves people neutral. You either leave them up or you leave them down.
