David Rakoff Quotes
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I find writing extraordinarily difficult and not very pleasurable, though I find having done it very pleasurable. I won't lie about that.
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The rigors of creativity - the self-doubt, the revising, the solitude - do require a kind of self-consumption. It comes at a cost; a cost that isn't for everyone.
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Deprived of the opportunity to judge one another by the cars we drive, New Yorkers, thrown together daily on mass transit, form silent opinions based on our choices of subway reading. Just by glimpsing the cover staring back at us, we can reach the pinnacle of carnal desire or the depths of hatred. Soul mate or mortal enemy.
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My salvation lies in time spent alone with an X-Acto knife and commercial-grade adhesive.
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About the only thing that I have - or had, because it's failing me lately - is my memory. I had a really good memory. I was always terribly protective of that fact.
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I do tend to be an anxious fellow, and I do tend to see the world as a little darker than perhaps it genuinely is, but I also do appreciate much more than a rosy scenario, I appreciate straight news. I appreciate honesty.
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Altruism is innate, but it's not instinctual. Everybody's wired for it, but a switch has to be flipped.
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There's nothing particularly wrong with being more pessimistic than optimistic. Optimism is broad-based, non-detail-oriented thinking; pessimism is detail-oriented thinking.
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Arts and crafts, or getting to be in a play with people, or making a little short film, that's pure sugar, because the stakes are so low.
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I have no problem with animals, I just like people more.
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I was going to say that writing is about disclosure and acting is about obfuscation, but that's such a little lie. Both of them are about obfuscation and masking oneself.
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I don't particularly consider myself an actor. I have no training. I love doing it, but I would never consider myself to be a colleague of an actual actor. That would be stepping way up in class on my part.
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I'm anti-religious. I don't like people telling me what to do.
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At least three times a week, I am overwhelmed with a wave of gratitude to New York City for providing me with a life. Not that my life is so great, although I think it's pretty nifty: I don't mine coal; I get paid to write.
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Before I sat down and became a writer, before I began to do it habitually and for my living, there was a decades-long stretch when I was terrified that it would suck, so I didn't write. I think that marks a lot of people, a real terror at being bad at something, and unfortunately, you are always bad before you can get a little better.
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Those weeks before diagnosis can be among the most torturous times. There is a reason you're called a patient once the plastic bracelet goes on.
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When people give you a writing assignment, they're asking what you think. That's the very opposite of being an actor. When you're an actor, no one wants to hear what you think.
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There is nothing so cleansing or reassuring as a vicarious sadness.
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I have let half-decades elapse between books because books have to be writte and writing is awful, but if you are the type of person who makes things, there is no profit in worrying about how or why or when the next project will come into being beyond simply acknowledging that it is inevitable that it will be very soon.
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'Play It Again Sam's opening shot is the same as 'Purple Rose's final one: a close-up of a face, rapt in a movie house. I've certainly felt that in my life. I've been known to cry watching Gene Kelly.
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If you don't have your experiences in the moment, if you gloss them over with jokes or zoom past them, you end up with curiously dispassionate memories.
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Maybe I sound like some Victorian who felt that forty years ought to be enough for any man, but one of the marks of a live well lived has to be reaching a state of finally getting it, of not needing more, and of being able to sign off with something approaching peace of mind.
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I value kindness in myself and others. I try to remain super-vigilant about my targets and make extra sure that my sometimes barbed comments are deserved and in response to genuine malefaction.