David Shields Quotes
I argued strongly to the American publisher that 'Reality Hunger' should come out first. They thought that 'The Thing About Life' would have more appeal because it's on a broader topic; it's about mortality rather than art.
Quotes to Explore
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Eighty percent of my life is normal like any other mother. I worry about my children, if they're doing all right. I worry that my husband is doing well. The 20 percent is just the queen aspect that factors in. But for me, it's life as usual, and it's just taking care of my family.
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I'm not strict on my calorie count; I just pay attention to my body.
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Search others for their virtue, and yourself for your vices.
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Peoples do not defy repression and death, nor do they remain for nights on end protesting energetically, just because of merely formal matters.
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In those days, even as a boy, I watched some people that I knew were living way beyond their means.
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I find the whole situation of confronting an audience terrifying.
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War has been good to me from a financial standpoint but I don't want to make money that way. I don't want blood money.
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The prevalence of mobile homes does not correspond with the prevalence of poverty, or with much of anything else. All that can be confidently said about America's mobile homes is that they are massed in places where you wouldn't want to be in one. Florida's mobile homes lie athwart the path of hurricanes. Georgia's are in the way of tornadoes.
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If I was to go to sleep before midnight, I would feel weird about myself, like I wasted a day. My most productive hours are between midnight and five.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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I never ask a man what his business is, for it never interests me. What I ask him about are his thoughts and dreams.
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I think that, to be an artist, you have to have a big enough ego to believe that people out in the world want to see what you think is a good idea. And if you don't have that sense of ego, then the minute that idea goes into the world, self-doubt kicks in.
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If I start thinking, 'Is this movie going to open? Is this movie going to do well?' I'm not focusing on the job. The job is to make a good movie.
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Not long ago I made a list of Doc Ford books I would like to do, and I came up with 11 pretty easily. I like to let the characters go their own ways and see what happens. I find them fascinating.
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If I could travel back in time, I'd bring back the entire Wu-Tang Clan.
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I've always wanted to tackle the casual part of dressing. Knits to me are always just easy. I've fantasized about packing a suitcase of only knits: You just throw them in, roll them in a ball, pull them out and they still look fabulous.
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It was a difficult second record. I had moments where I couldn't write; had moments where I was writing lots. It was just a massive learning process for me.
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Being a woman in music was fine, but when I wanted to direct, I was poking my head into a man's world.
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The figures... are not supposed to reveal anything... It's like seeing a stranger in some place like an air terminal for the first time. You look at him, you notice his shoes, his suit, the pin in his lapel, but you don't have any particular feeling about him.
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In our world," said Eustace, "a star is a huge ball of flaming gas." Even in your world, my son, that is not what a star is, but only what it is made of.
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I laugh about it all the time, but, for whatever reason, a lot of people think that I wear a wig. I get emails and tweets about people commenting on my hair being a wig. It's one of the strangest but most entertaining things I've read about myself online.
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In the 1970s when I started in the art world, no self-respecting artist would have stood in line to try to get on a television show. It never would have happened.
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I argued strongly to the American publisher that 'Reality Hunger' should come out first. They thought that 'The Thing About Life' would have more appeal because it's on a broader topic; it's about mortality rather than art.
