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I could, of course, have written about the film world and the jealousy there and the frequent belief that others don't have talent. But, for some reason, it just struck me to write about art.
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I really like Los Angeles. I like the weather, the openness of it, the beach, the mountains, the desert. I find it inspiring. I get quite a lot of writing done out there.
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I am the sort of guy who does go to modern art shows.
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A lot of the city boys in London, a lot of the hedge-fund, young city workers at the height of the financial boom were a lot of working-class, brilliantly minded young fellows and women.
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I usually do watch what I've done because I think it's important. I think you can learn from it and see what you thought you were doing and what ends up on the screen.
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In 'Seven Years In Tibet,' I played a Buddhist. But I'm not religious at all, really.
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I was interested in the idea of celebrity... some very untalented people getting very successful and making a lot of money for not a lot of work, sometimes.
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It was so boring, and 'Dragonheart' was so unchallenging - there was no research involved or any rehearsal. So I was in my hotel room every night with no English-language TV except 'Beavis and Butt-head' at 10 o'clock every night.
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Restoration I did because I really loved e novel and I like Michael Hoffman, who directed it, but it wasn't a really challenging part for me. I'm not critical of the film: I just don't think I gave a very interesting performance.
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I paint a bit myself. My house in Clerkenwell has a room that is done up like a big installation.
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That's one of the main things I've learned: honesty is paramount. The biggest thing I try and instil in my daughter. My deepest regrets have been to do with times that I've been dishonest. There's nothing worse than getting caught out in a lie. It's excruciatingly embarrassing.
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I'm often cast as religious figures, good and bad, such as 'Kingdom Of Heaven.'
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'Naked' kind of kicked me off into the film world. It just so happens that all of the things that I have been offered have been films, and I've enjoyed the travel that goes along with that.
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Most parts I've played since 'Naked,' I can barely remember who they were, let alone repeat any lines.
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What we do is ridiculous! I think that even when what I'm doing is serious, even when I'm not turning into a werewolf. It's a silly thing to do, isn't it? It's what you do in the playground when you're kids - but actors just never stop doing it.
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I don't worry. I'm more stoical. Of course I have insecurities. I fear getting older. I fear death and illness. I'm not prone to depression, but I get depressed because everybody gets depressed. Suddenly I'm away from my family or doing a job I'm not enjoying.
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It's certainly not easy having to spend a lot of time apart, and having a five-year-old child who's got to be at school. So we need to learn how to organize our time really well because for months we will be in two different countries.
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I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?'
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Dad worked in the same shop, behind the same counter, five or six days a week, for 38 years, and hated it.
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When I'm sat in the pub with my mates, they've got their stories: Richard and Tracy have split up, they went to Arsenal and this fight broke out... My anecdotes are like, 'I was in this bar, and Michelle Pfeiffer rang, and I had wax in my ear, so I couldn't hear what she was saying...'
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I'd been a stepparent for about two years with a woman who had a child, and I came to realize I adored children and was good with them. So I was very happy when Anna got pregnant.
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When you do something well, this is the best job in the world.
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The world is enormously dangerous and scary. I worry very much for my daughter. I'm not sure we're in control any more, and I think the Internet is partly responsible for that.
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I can remember, after I started doing films, my mum began going to more arthouse films. She went to see 'Edward Scissorhands' and phoned me up and said: 'What was that all about? He had scissors on his hands.' Good question. I think she should review films on Channel 4.