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It was so boring, and 'Dragonheart' was so unchallenging - there was no research involved or any rehearsal. So I was in my hotel room every night with no English-language TV except 'Beavis and Butt-head' at 10 o'clock every night.
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A lot of the city boys in London, a lot of the hedge-fund, young city workers at the height of the financial boom were a lot of working-class, brilliantly minded young fellows and women.
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I really like Los Angeles. I like the weather, the openness of it, the beach, the mountains, the desert. I find it inspiring. I get quite a lot of writing done out there.
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I could, of course, have written about the film world and the jealousy there and the frequent belief that others don't have talent. But, for some reason, it just struck me to write about art.
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I was interested in the idea of celebrity... some very untalented people getting very successful and making a lot of money for not a lot of work, sometimes.
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'Naked' kind of kicked me off into the film world. It just so happens that all of the things that I have been offered have been films, and I've enjoyed the travel that goes along with that.
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I paint a bit myself. My house in Clerkenwell has a room that is done up like a big installation.
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I can remember, after I started doing films, my mum began going to more arthouse films. She went to see 'Edward Scissorhands' and phoned me up and said: 'What was that all about? He had scissors on his hands.' Good question. I think she should review films on Channel 4.
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In 'Seven Years In Tibet,' I played a Buddhist. But I'm not religious at all, really.
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Restoration I did because I really loved e novel and I like Michael Hoffman, who directed it, but it wasn't a really challenging part for me. I'm not critical of the film: I just don't think I gave a very interesting performance.
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I met the Coens here a few years ago and they said they liked my work.
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What we do is ridiculous! I think that even when what I'm doing is serious, even when I'm not turning into a werewolf. It's a silly thing to do, isn't it? It's what you do in the playground when you're kids - but actors just never stop doing it.
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I'd been a stepparent for about two years with a woman who had a child, and I came to realize I adored children and was good with them. So I was very happy when Anna got pregnant.
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I don't worry. I'm more stoical. Of course I have insecurities. I fear getting older. I fear death and illness. I'm not prone to depression, but I get depressed because everybody gets depressed. Suddenly I'm away from my family or doing a job I'm not enjoying.
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I usually do watch what I've done because I think it's important. I think you can learn from it and see what you thought you were doing and what ends up on the screen.
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The world is enormously dangerous and scary. I worry very much for my daughter. I'm not sure we're in control any more, and I think the Internet is partly responsible for that.
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I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?'
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I enjoy things that are so far away from me; that's why, when I play things that are a little bit closer to me, I get really bored. When it's something that's the antithesis of what I am, there's much more to lose yourself in.
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I am the sort of guy who does go to modern art shows.
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I'd only read a bit of the first book. And I just knew about all the media furor over it. But I'd not read books 2 or 3. I'd just read a bit of it. And I'd seen the films.
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It's certainly not easy having to spend a lot of time apart, and having a five-year-old child who's got to be at school. So we need to learn how to organize our time really well because for months we will be in two different countries.
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When I'm sat in the pub with my mates, they've got their stories: Richard and Tracy have split up, they went to Arsenal and this fight broke out... My anecdotes are like, 'I was in this bar, and Michelle Pfeiffer rang, and I had wax in my ear, so I couldn't hear what she was saying...'
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'Harry Potter' is very nice because it's very easy to make children happy. All you have to do is have your photograph taken with them.
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Everybody knows someone like that: wonderful, attractive people full of passion and ideals. You envy them, but you know there's a dark side, which is brutal and cruel and violent. That dark side informs what's wonderful about them, and the passion and rage inform the darkness; they're inseparable.