David Walton Quotes
Quotes to Explore
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.
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I like to think I'm quite brave. I stand up for myself.
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The Reserve Bank cannot just exist; its ability to say 'no' has to be protected.
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Both my parents are Scottish, and although I grew up in Canada after moving over, all of my family are proud to be Scots.
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'SVU' is one of my favorite shows. When I got the call to appear and play myself, I jumped at the chance. Obviously, I went over my lines, but playing yourself is a really great way to get your feet wet in the acting field. I enjoyed being on set and learning as much as I could about the scripted world.
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Singing for me has always been a joyous but private pleasure that connects me in a lyric thread to my beloved grandmother Alice.
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When the whole world is silent, even one voice becomes powerful.
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Some people might not like him because he's my son. But be respectful, go out there and enjoy the game.
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I am not one of these guys who works job after job after job.
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I'd been going to the Louvre since 1951. I thought I knew Paris and the French, but I didn't really. You know how easy it is to make friends when you are traveling. People are curious about you, you are curious about them. But you never really make friends that way. After the Louvre, I discovered that I have friends now because I have enemies.
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I love Jonathan Richman - I love a lot of his music, and the thing I really like about him is his attitude. He seems very happy, and the way he performs is like, 'Don't worry, everybody, just get into it. I'm just having fun; I like when you guys are having fun.'
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All personal achievement starts in the mind of the individual. Your personal achievement starts in your mind. The first step is to know exactly what your problem, goal or desire is.
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My original project was called 'The Wheel'; there's a record out there called 'Desire & The Dissolving Man,' 'The Memory Of Loss' as well. There's also 'Falling Faster Than You Can Run,' also 'Closer'; all of that's on our website.
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I was brought up on art. My father thought I had a great hand at art and sent me to art school. But he did not want me to become a photographer.
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I still haven't found the humor in getting hit by a cement truck. My knees still hurt when I think about it, so no jokes about that yet.
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I give two hoots about being typecast. It's not in my hands.
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I can tell more about my weaknesses than my strengths.
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In short, the satisfaction of creating, not necessarily the process, always lifts my heart.
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Correcting it, I don't know; just shedding the light of day on it is a first major step, being one of the earliest generations not to just accept the words.
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My parents never said to me, 'Why don't you go and get a real profession?' And that really helped.
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We're being challenged to do something so profound, it's unprecedented in the history of our species, and there couldn't be more at stake. It's not even our species at stake; it's the whole dream of life on earth that's taken 4.5 billion years to realize - all this beautiful pastoral life on earth.
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Le Petit is where I cut my teeth with some of my early roles. In 1982, I was in the chorus of 'Gypsy' and soon after I had my first lead as Jamie Lockhart in 'The Robber Bridegroom.'
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I loved Adam Sandler's early stuff. I thought it was so cool how irreverent and weird he would get.
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I like to think everyone is pretty weird but they don't show it.
