Davinia Taylor Quotes
You don't have to be famous to have problems on social media. It affects everyone, and it's on there forever, and the things you say when you're 15 are not necessarily what you'd say when you're 25 or 35.
Quotes to Explore
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I'm cranky.
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Only twice have I really had a hard time leaving a character. The first was my character in 'Rome' and then in 'Homeland.'
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I write poems, I meditate. I don't live up to people's expectations. I don't do the conventional cool things - I know I am the coolest person.
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I married the first man I ever kissed. When I tell this to my children, they just about throw up.
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Obviously it's much easier to say that you're going to follow your passions when you're financially secure, but at least we can take solace in the fact that we now have the time to pursue the things that we really want to pursue because now the option of doing things just for the money isn't necessarily there.
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The hardest thing to do and most miserable films are comedies.
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Only by the sweat of my own brow. I am a totally working man.
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I have a lot of Republican friends.
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It's more fun to look at an old picture of me than it is to look at a new one sometimes. Although, I still wear a dress pretty well.
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It's true: a lot of sportspeople really struggle to find something to do when they finish. It tips them into all sorts of strange things. With ex-footballers, it's really scary. I think 70% of them get divorced within five years. It's hard. You go from being really famous to not that famous. Your salary drops through the floor.
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The tech genie is out of the bottle; you can't put it back in.
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To put it bluntly, there isn't one economic theory that can single-handedly explain Singapore's success; its economy combines extreme features of capitalism and socialism. All theories are partial; reality is complex.
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It's such a diversion to be constantly thinking of better ways I can teach people math that my hunger is for that really, for new ways of translating the beauty of it.
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It is not poverty so much as pretense that harasses a ruined man - the struggle between a proud mind and an empty purse - the keeping up of a hollow show that must soon come to an end.
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The way to compose for me is to have lots of time.
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My wife Martha used to call me Ol' Lemon Face because of my facial contortions when I play Lucille. I squeeze my eyes and open my mouth, raise my eyebrows, cock my head and God knows what else. I look like I'm in torture, when in truth, I'm in ecstasy. I don't do it for show. Every fiber of my being is tingling.
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I want to score in every game and win things. That's the most important thing.
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I never had those dreams of making the Olympics. Never.
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Saying what we think gives a wider range of conversation than saying what we know.
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How a piece ends is very important to me. It's the last chance to leave an impression with the reader, the last shot at 'nailing' it. I love to write ending lines; usually, I know them first and write toward them, but if I knew how they came to me, I wouldn't tell.
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Some people watch comedy to relax. I watch '21 Grams.' I can recognize sadness and tragedy really easily because it's been with me forever.
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I think 'Cyrus' has a lot of fat in it. It was a $7 million movie. If you're going to make a movie with famous people, you don't necessarily need to spend 7 million dollars. Make it for less than that, and you'll be able to sell it and make a ton more than that, and everybody shares the profits.
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Being on a film set is like being in tech forever. In theater, when you finally finish rehearsing, you go onstage and you do the lights and the sets and you make the machine of the production work. It takes usually about ten days in the theater, two or three weeks if it's a really big musical. I mean, it's hell on earth. You just sit around forever while they adjust the lights. And every playwright with half a brain runs for the hills when tech starts because it's so boring, and you don't want to talk to the director because the director is running this giant machine.
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You don't have to be famous to have problems on social media. It affects everyone, and it's on there forever, and the things you say when you're 15 are not necessarily what you'd say when you're 25 or 35.
