Dawn Olivieri Quotes
Quotes to Explore
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I've been a novelist since 1995 and have had novels in and out of option, and watching that process just made me realize that I have to live by what I teach my students, because I teach screenwriting at Spellman.
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I do movies that I would like to go and see. I think that's a good barometer of how I choose films. I like going to these movies. Our job is to make sure the audience gets their $16 worth. That's my job.
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Failing organizations are usually over-managed and under-led.
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I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
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I will keep painting until I die.
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We must never relent in our efforts to resolve conflicts through diplomacy and through all of the instruments bestowed by the Charter of the United Nations.
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Caring about policy is important - people in washington forget.
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A book is a gift you can open again and again.
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Art never harms itself by keeping aloof from the social problems of the day: rather, by so doing, it more completely realises for us that which we desire.
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Government can wreck a business by confiscating its money by taxation.
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I think I realized early on that my family wasn't like other families.
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Empirical interest will be in the facts so far as they are relevant to the solution of these problems.
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Taken as a whole, consumer technologies have made startling advances, but they still are not as easy to use as they should be.
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This would not be a problem if I were driving a snowplow.
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I don't plan a career. That doesn't work for me. I just have to go with my gut.
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It's essential to have sacred time for writing. All successful authors have some daily commitment to keep on-track and moving forward.
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I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
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My sensibility steers me toward writers who are out on their own.
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An essential aspect of creativity is not being afraid to fail.
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If you look at coastlines, if you look at that them from far away, from an airplane, well, you don't see details, you see a certain complication. When you come closer, the complication becomes more local, but again continues. And come closer and closer and closer, the coastline becomes longer and longer and longer because it has more detail entering in.
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In The Jack Daniels Sessions, folktales and modern landscapes collide, exploding and reforming in the form of an intriguing and intelligent collection. Cotman seizes the stories of tired tradition and galvanizes them, setting them to dance for us in wonderful, new interpretations.
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I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.
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In the summer of 2009, in the wake of a crisis in her life, my mother moved from San Diego to San Francisco to live with my 16-year-old daughter and me. My mother was 77. I was 51. Despite a chorus of skepticism from friends - who knew about my upbringing - I was determined to do what I could to help my mother.
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I try to avoid large crowds.
