Idris Elba Quotes
When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.
Quotes to Explore
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Every step of progress the world has made has been from scaffold to scaffold, and from stake to stake.
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I believe marriage is between a man and a woman. I am not in favor of gay marriage. But when you start playing around with constitutions, just to prohibit somebody who cares about another person, it just seems to me that's not what America's about. Usually, our constitutions expand liberties, they don't contract them.
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In the long winter evenings he talked to Ma about the Western country. In the West the land was level, and there were no trees. The grass grew thick and high.
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The phrase 'mad as a hatter' was coined because hat makers were poisoned by the high levels of mercury used in felt processing; these workers developed a strange, uneven gait as well as strange alterations in their personalities - traits that resembled mental instability.
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We have to surmount the difficulties that face us and work steadfastly for the happiness and prosperity of our country.
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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There is no chance and anarchy in the universe. All is system and gradation. Every god is there sitting in his sphere.
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Certainly our gay and lesbian brothers and sisters need to be supported in living out their call to holiness.
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I don't think it's good for people to know too much about you. With my favourite bands, I don't want to have the inside track on every single aspect of their personal lives.
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I'm a little angry in life.
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Writing is not like acting, where you can pull these little stunts that create a particular effect. Words are all it is about, and the way you use words has to be individual and particular to you.
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I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
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If you think about a Thanksgiving dinner, it's really like making a large chicken.
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I don't want to make games for 12-year-olds. I have no interest in that. I haven't been 12 in a long time.
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The most irresistible charm of youth is its bubbling enthusiasm. Youth sees no darkness ahead - no defile that has no outlet - it forgets that there is such a thing as failure in the world and believes that mankind has been waiting all these centuries for him to come and be the liberator of truth and energy and beauty.
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If you respect a language and culture, it shows in your work.
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My film knowledge is pretty shocking. I'm trying to correct that.
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Maybe I'm just a slow learner or something, but I like to have things laid out as plainly and simply as possible.
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All I've ever wanted is a nice truck, and that's what I got.
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I really like using the softening cream. It helps me go out there with confidence to do what I need to do, and at the same time, it's very functional and helps keep the hair out of my mouth so I can focus on pitching.
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The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing.
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I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter.
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Friend, you cannot legislate the poor into freedom by legislating the wealthy out of freedom. And what one person receives without working for, another person must work for without receiving. The government can't give to anybody anything that the government does not first take from somebody. And when half of the people get the idea they don't have to work because the other half's going to take care of them, and when the other half get the idea it does no good to work because somebody's going to get what I work for. That, dear friend, is about the end of any nation.
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When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.
