- All Quotes
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I've never had to explain 'Prometheus' to people, ever. Most people get it.
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Not obsessed with particularly Nike, but sneakers in general. I love them.
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I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.
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The less I talk about being black, the better.
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I don't have a place that I call home at the moment because there's no point. I mean, I'm a traveling circus for a while. It's weird. Like, if I wanted to go home, there's nowhere to go. I just go to a hotel. But I've kind of gotten used to it.
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It's actually quite criminal how 'The Wire' was systematically ignored.
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If you go to Africa and you're white, you're probably not going to get that much work either. But the fact is that there is a longer history of black integration in the U.S. I don't have any resentment about this: I did the maths, calculated it against my ambition and decided to leave England.
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Now there are certain things you have to prepare - like dialect and special skills. But in the moment, interaction between two characters on the page doesn't need - for me, I don't need to prepare that.
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I did green screen for the first time! I wouldn't like to do a whole movie of green screen, though. You kind of forget the plot a little - like being in a Broadway play and doing it over and over and forgetting your line halfway through.
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I love bikes. I used to own one, but I fell off it when I was younger and that was the end of my bike riding days until now.
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The adrenaline feeling of jumping out of cliffs and bikes and all of that is very specific to the film. In 'Pac Rim' I'm not doing that so much. There isn't that touch stonework for me in it, but there is a lot of action.
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It's really funny because the same people who loved me as Stringer Bell were the same people that were watching 'Daddy's Little Girls' literally in tears.
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Africans, we hold on to our youths and whip them into shape.
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Every leading lady I work with, I'll see if I can get a song out of them and put it on an album.
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Every single film I've done, it's about the character.
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When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.
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I'm an ambitious person. I never consider myself in competition with anyone, and I'm not saying that from an arrogant standpoint, it's just that my journey started so, so long ago, and I'm still on it and I won't stand still.
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It was deeply important for me to understand where Mandela came from. Because we know where he was going, and that's a famous story, but who was he? Where did he come from? What was his upbringing?
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People expect me to be that guy. But I'm more east London boy than east Baltimore.
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I tend to stay away from the comics.
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Television has shied away from being too dark, because so much has happened to us recently here in the West, and people are sort of wanting to see more uplifting sorts of things.
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I'm rebelling against being handed a career, like, 'You're the next this; you're the next that.' I'm not the next anything, I'm the first me. I can't be myself, I can't just be Idris Elba. But that's just the nature of the business.
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I wasn't bad at school, but I was never a bookworm.
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I would never be fearful of any character.