Pamela Druckerman Quotes
I spend much of my free time listening to podcasts of American comedians talking to each other.
Quotes to Explore
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You need to take care of your time and practice, you need to rest and talk to media. So it's really important to organize those things.
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Most of the time, those who use animals in experiments justify that use by pointing to alleged benefits to human and animal health and the supposed necessity of using animals to obtain those benefits.
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I love Winston Churchill; I think he had the grace of coming and the grace of leaving - when things were hard he was there, and when it was time to leave, he left.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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Free love sounds great.
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I wanted to travel with my dad to be close to him again. Having babies and raising my own family took so much of my time, I didn't have a chance to be with him very often.
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It's like tabloid news programs that talk about how horrible something is, while at the same time they're glorifying it as their top story.
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I wasn't really the most charming person, socially – it took me a long time to develop my people skills – but the one place I was always comfortable was onstage, acting or singing.
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My stand-up is quite good now, people say. It's just like a big conversation each time. Every gig is a rehearsal.
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I'm not very cool. I have a really hard time meeting people and stuff.
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Contrary to all the blather we here about the unique goodness of the American people or our religious heritage or anything else, the one thing that set this country apart from all others was the Bill of Rights.
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One becomes a grandfather and one sees the world a little differently. Certainly the world becomes a more vulnerable place when one has a grandchild, or now I have two. And I think that possibly there's some tenderness that came out of just time and age and being a parent and grandparent.
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I think I've really exhausted the magical. It was a lot of fun, but I've put it behind me for the time being.
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I had a strong desire to become an archer from the very first time I tried it. I forgot my other ambitions. I just wanted to compete in the Olympics.
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Hip-hop is really standoffish. It's really competitive and it's really about who's number one all the time. Sometimes it gets out of hand.
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The metaphor I've used is... somebody's going to push my family off a cliff pretty soon, and I won't be there to catch them. And that breaks my heart. But I have some time to sew some nets to cushion the fall. So, I can curl up in a ball and cry, or I can get to work on the nets.
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I was obsessed with Hollywood from the time I was a kid. I always knew I wanted to live in Los Angeles.
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I've made a professional reputation playing working-class, middle-class, American women. There's a real sense of stoicism and pragmatism and strength and lyricism of a woman like that.
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I like to write from a slightly sad or complicated place. But with a sense of hope and happiness at the same time.
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In 1986, when I was 21, I lived in Tokyo for four months, boarding with a Japanese family and working for an American company.
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Here's how it goes: I'm up at the stroke of 10 or 10:30. I have breakfast and read the papers, and then it's lunchtime. Then maybe a little nap after lunch and out to the gym, and before I know it, it's time to have a drink.
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If the creative artist worries if he will still be free tomorrow, then he will not be free today.
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I spend much of my free time listening to podcasts of American comedians talking to each other.
