Billy Porter Quotes
I always said if I played a drag queen, I'd want to create a template with the realness they talk about in 'Paris Is Burning.'
Quotes to Explore
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My family and I had to overcome a lot to get where we are today.
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My manager's biggest dream is for me to be on Letterman. She says, 'Oh, Maggie, will you promise me you'll be on 'Letterman?' What can I say? I just tell her I can't promise, but I'll try my best.
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I went to quite an academic school, and all my friends were going to university, but even before my acting jobs, I didn't want to do that. I didn't want to spend another three years being institutionalised, and I feel that getting out of that system benefited me in quite a few ways.
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There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.
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I've spent a lot of time being bohemian and sleeping on floors, but eventually I want to have kids and I want to bring them up in a secure environment.
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It was a joy to be a part of the team that created Round The Horne. I was involved with the show at a time of my life when I was very happy., and that happiness overflowed into the scripts.
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If people want to find me, they can. They'll see a middle-aged woman wandering around the grocery store, looking to see what to buy for dinner.
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The race of children possesses magically sagacious powers.
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One of my early childhood memories was my grandmother always having a bowl of Nestle chocolate bars at her house. My sister and I would argue over who could eat the chocolate bars. Looking back, I don't know why we just didn't share. We could have split them.
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AI does not keep me up at night. Almost no one is working on conscious machines. Deep learning algorithms, or Google search, or Facebook personalization, or Siri or self driving cars or Watson, those have the same relationship to conscious machines as a toaster does to a chess-playing computer.
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I tried to hostess... but they fired me after four days because I couldn't figure out how seating plans worked.
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There's a good lesson for policymakers: It's not the presence of the U.S. that is a problem for many people in the Arab region; it's the type of presence we bring.
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You do need to get lucky, no matter how talented you are.
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I think for people that are dealing with this out there, the important thing to know is that this is real. It's called CIU, and there are solutions out there for you.
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I think the varied backgrounds in the beginning were a plus. It took a while for people to understand what they were trying to do and get started, but it did provide for a lot of new ideas.
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I don't think you can mix classical music and reggae. It's not possible. But some producer in, like, Norway is going to put it together.
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I'm a voracious reader, and I love to throw myself into it.
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Saying you are a patriot does not make you one; wearing a flag pin does not in itself mean anything at all.
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Out there in the spotlight you're a million miles away and every ounce of energy you try to give away as the sweat pours out your body like the music that you play.
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Criticism always seemed to me a lot like police work. You look for clues, fingerprints, motives. You need to construct an airtight case.
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No student should feel like there isn't a way to seek justice, and no student should feel that the scales are tipped against him or her.
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I wanted to have a reaction from the audience. I wanted to be able to talk to somebody, and not be talking just to myself. That's when I did 'The Conformist,' 'Last Tango in Paris,' etc. And I found it was incredibly rewarding, something new.
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When Paris sneezes, Europe catches cold.
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I always said if I played a drag queen, I'd want to create a template with the realness they talk about in 'Paris Is Burning.'
