Ellsworth Kelly Quotes
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
Quotes to Explore
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Figure out what you're good at and start helping other people with it; give it away. Pay it forward. Karma sort of works because people are very consistent. On a long enough timescale, you will attract what you project.
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I think it's always best to be who you are.
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We should read music in the same way that an educated adult will read a book: in silence, but imagining the sound.
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The Strauss Group identified water as a strategic category presenting significant business opportunity in line with the Group's long term business strategy and vision. We view the development of a technology that enables high quality drinking water for both home and offices as a means to improve the quality of life of millions of people.
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I have a trophy case that contains all the action figures ever made of me. It also has items I've stolen from my movies, like three guns and holsters from 'Serenity'.
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I don't really feel McCain. It ain't just because Barack is black; he can make change. Just like Bush equals recession, Barack equals progression.
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Our goal is to build this up as a knowledge base that anyone can look at. We're not just interested in people answering their friends' one-off questions.
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A lot of times, songs can blend together on the radio because there's so many great songs out there.
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All the religions of the world, while they may differ in other respects, unitedly proclaim that nothing lives in this world but Truth.
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In the absence of justice, what is sovereignty but organized robbery?
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A belief may be larger than a fact.
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Prison has humbled me in a lot of ways, because when you go to prison, I became 11 R 2024 you know, I wasn't Ja Rule the superstar. I wasn't any of that. I was just a regular inmate.
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There's something really fun about being scared, and I guess that was at least part of why I wanted to film certain scenes from my new book, 'Skeleton Creek.'
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When I do work, I feel the same sort of urgency as I ever did. If I didn't feel that, I don't think I would wish to be doing it. I wouldn't really see the point.
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My guilty pleasure is I like to watch a lot of HGTV. I really like watching design shows about houses, like extreme homes. Like buying a bridge and turning it into a house or something like that. I really am interested in home design or something like that... architecture.
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Every season, for me, it's like starting from scratch again.
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If you look at the polling around climate change in this country before 'Sandy', that was kind of the low point in terms of Americans believing that climate change was real and that humans were causing it.
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At one point, I had 14 pairs of golf shoes.
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'Mandie and the Secret Tunnel' - the book and now the movie - pits a very young woman against forces she cannot control and events she cannot possibly know about. She's in way over her head, and you're pulling for her from the opening scene.
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I wanted to escape Small Town U.S.A. To dismiss the boundaries, to explore. My life experience came from watching movies, TV, and reading books and magazines. When your culture comes from watching TV everyday, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities.
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Not exclusively, but the bulk of our local economy should be covered by local currencies, which is more efficient than having global currencies which lose connection with reality in the markets, shops and communities of the people.
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Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.
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You know how you put peanut butter on a piece of bread and the bread falls - it never falls on the bread side down, it always falls peanut butter side down. That's because of gravity.
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I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
