Elmore Leonard Quotes
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If it sounds like writing, I rewrite it.
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What do you tell a man with two black eyes? Nothing, he's already been told twice.
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After 58 years you'd think writing would get easier. It doesn't. If you're lucky, you become harder to please. That's all right, it's still a pleasure.
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I do this a lot with names. I'll start with a name, and then for some reason he won't talk much, or he's older than I pictured him just because of a name I give him. So then I finally get the right name, and I can't shut the guy up. This always happens. There's always a character who gives me trouble that way.
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I don't have any of the modern stuff. I don't have e-mail. I don't have a computer!
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For a long time I've been walking down life's road with my two pals, Bad Luck and Bad Choices. Fortunately I'm a big believer in new beginnings, new friends, and running from my problems. So one day I decided to head for the island. Aloha, my name is Jack.
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If I just sit here, what am I going to do? I don't have a trade. I don't teach or anything. I just love to make up characters and gradually build a story around them.
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There are some people who have been reading me for years, and they keep saying kind things about the writing. That's what you're writing for, to get people to respond to it.
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I can write anywhere. But I don't use a computer, and I could never write on a laptop. I hate the sound of computers; it's too dull, like it's not doing anything for you.
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It took me 20 years to buy an electric typewriter, because I was afraid it would be too sensitive. I like to bang the keys. I'm doing action stories, so that's the way I like to do it.
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I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
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I never know what I'm going to write next. If I'm still writing the book but I'm very near the end, and I begin to think of what I'd like to do next, then I'll know that what I'm writing is in hand. I'll think of an ending and it will be fine.
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My grandson, Max, who is an all state lacrosse player, once gave me some lacrosse advice: A limp pass is like a limp dick; it doesn't get the job done. I think the same can be said about limp writing.
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If you take a few days to write an outline, you're just making up scenes that you think will work, that you think will be interesting. But as you write it, other ideas occur - better ideas that have to do with what you're writing.
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To me, a book is a book, an electronic device is not, and love of books was the reason I started writing.
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A friend of mine who is in the publishing business knew I was writing a book, and he said, 'Have you said anything yet about the good guy? Because I know you spend so much time with the bad guys.' Because they're fun. So then you have to make the good guy fun, in order to compete. That's the challenge.
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My characters have to talk, or they're out. They audition in early scenes. If they can't talk, they're given less to do, or thrown out.
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Sometimes female characters start out as the wife or girlfriend, but then I realize, 'No, she's the book,' and she becomes a main character. I surrender the book to her.
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If work was a good thing, the rich would have it all and not let you do it.
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The truth is that the writers who most influenced me weren't people categorized as crime writers. I'd say I learned more from John O'Hara, who isn't much read today but whose short stories I really admired, and Hemingway, who I think has lasted pretty good.
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I have fun writing. I don't make it a chore. I don't have to struggle with it.
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I want the reader to know what's going on. So there's never a mystery in my books.
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I think any writer is a fool if he doesn't do it for money. There needs to be some kind of incentive in addition to the project. It all goes together. It's fun to sit there and think of characters and get them into action, then be paid for it. I can't believe it when writers tell me 'I don't want to show my work to anybody'.
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The bad guys are the fun guys. The only people I have trouble with are the so-called normal types. Their language isn't very colorful, and they don't talk with any certain sound.