Billy Sherwood Quotes
Quotes to Explore
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I think I've had the longest career of strength, focus, and still being able to sell records. I think I'm that guy. I'm still blessed with the opportunity to make music and pass out a message like, 'Life is good,' to the world.
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I tell myself every offseason I'm not going to say anything crazy. I'm just going to have a peaceful season... Can't do it. I'm cut from a different cloth.
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I usually have 10 different animation projects going at a time.
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Music is the best means we have of digesting time.
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Not all of us are chameleons that can do every different thing. I hope I'm going to be typecast. I will play the girl next door for the rest of my life if I have to. I always kind of feel like I have that in my pocket when I go in a room.
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I love collaborating with different people.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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I love to work in all sorts of different situations.
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I done made music with Makonnen, Frank Ocean. We all make great music.
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My whole drive is to make sure that music is a common space where we search for beauty and share it. It needs to be louder than any conversation. That's where we have to go as a human race.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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What I loved about country music when I was a kid was the Grand Ole Opry, was 'Hee Haw,' was 360 degrees of entertainment.
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No one ever said movies are for developing your range. Hardly anyone gets that opportunity. Which is why I think the stage is so good. It's less bread, but you can play different types, and you can initiate your own projects.
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The cinematic language and interior destiny of each Iranian film-maker is different. The international influences on them vary from Rossellini to Fellini, Akira Kurosawa to Hou Hsiao-hsien, but there is a strong sense of solidarity.
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I never wanted to be a trophy wife. I wanted to make it on my own. I didn't want to depend on a man.
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It is a coincidence that Mathangi is the Goddess of Music and the spoken word, which can be rap.
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The fellows that I played with encouraged me to bunt and beat the ball out. I was anxious to make good and did as I was told. When I came to Brooklyn, I adopted an altogether different style of hitting. I stood flat-footed at the plate and slugged. That was my natural style.
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Whenever you write music, you want it to touch people on a certain level. I mean, I've been reading tweets about 'Troublemaker' and people saying 'OMG, I can so relate to this - this is a guy that I fancy, or a girl that I fancy; it's exactly like this person.'
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I never made movies that had any of my music. I haven't crossed them over that much.
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Theater should address the stories of its communities, or I don't know why it's here.
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In the '90s, there was scant presidential leadership and insufficient domestic political mobilization for foreign policy grounded in human rights.
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Whether I'm painting or not, I have this overweening interest in humanity. Even if I'm not working, I'm still analyzing people.
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Acting, I get to explore other people and other characters; with music, I get to express and explore myself.
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I have always enjoyed different kinds of music.
