Billy Sherwood Quotes
Quotes to Explore
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I think I've had the longest career of strength, focus, and still being able to sell records. I think I'm that guy. I'm still blessed with the opportunity to make music and pass out a message like, 'Life is good,' to the world.
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I tell myself every offseason I'm not going to say anything crazy. I'm just going to have a peaceful season... Can't do it. I'm cut from a different cloth.
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I usually have 10 different animation projects going at a time.
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Music is the best means we have of digesting time.
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Not all of us are chameleons that can do every different thing. I hope I'm going to be typecast. I will play the girl next door for the rest of my life if I have to. I always kind of feel like I have that in my pocket when I go in a room.
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I love collaborating with different people.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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I love to work in all sorts of different situations.
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I done made music with Makonnen, Frank Ocean. We all make great music.
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My whole drive is to make sure that music is a common space where we search for beauty and share it. It needs to be louder than any conversation. That's where we have to go as a human race.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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What I loved about country music when I was a kid was the Grand Ole Opry, was 'Hee Haw,' was 360 degrees of entertainment.
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No one ever said movies are for developing your range. Hardly anyone gets that opportunity. Which is why I think the stage is so good. It's less bread, but you can play different types, and you can initiate your own projects.
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The cinematic language and interior destiny of each Iranian film-maker is different. The international influences on them vary from Rossellini to Fellini, Akira Kurosawa to Hou Hsiao-hsien, but there is a strong sense of solidarity.
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I never wanted to be a trophy wife. I wanted to make it on my own. I didn't want to depend on a man.
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It is a coincidence that Mathangi is the Goddess of Music and the spoken word, which can be rap.
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The fellows that I played with encouraged me to bunt and beat the ball out. I was anxious to make good and did as I was told. When I came to Brooklyn, I adopted an altogether different style of hitting. I stood flat-footed at the plate and slugged. That was my natural style.
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Whenever you write music, you want it to touch people on a certain level. I mean, I've been reading tweets about 'Troublemaker' and people saying 'OMG, I can so relate to this - this is a guy that I fancy, or a girl that I fancy; it's exactly like this person.'
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As it's related to publishing, I think magazines really benefit from having a staff with a range of different perspectives and cultural references so that any reader can feel like there is someone on the masthead they can relate to, someone they can trust to speak up for them. It's great to see that idea being embraced more and more.
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Not everything is for sale; not everything is about money.
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There is not a separate God for each person. There is one universal intelligence flowing through all of us.
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In college, I had a crush on one of my professors. I used to bat my eyelashes and coo at him. He didn't respond at all, which made me like him even more.
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I started performing in 1950 at the age of 16 when I joined the Burton Lester's Midgets as a performer. Shortly after, I became a DJ with Mecca Organization before joining Billy Smart's Circus as a clown and shadow Ringmaster.
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I have always enjoyed different kinds of music.
