Emayatzy Corinealdi Quotes
One of the roles I hold really close to my heart is a small 'under-five' role I did on 'The Young and the Restless.' I think I did about four episodes and it meant so much to me, simply because it was my mom's all-time favorite soap.
Quotes to Explore
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I think when I first started acting there were different people who I thought, 'I want that person's career or that person's career.' And as time has gone on, it's become really clear to me what is important to me; getting the best roles, the roles that I feel are challenging and scary and that I haven't done yet.
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Nothing is really typical of my efforts... I'm simply casting about for better ways to crystallise and capture certain strong impressions (involving the elements of time, the unknown, cause and effect, fear, scenic and architectural beauty, and other seemingly ill-assorted things) which persist in clamouring for expression.
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It would be incredible to work with Stanley Kubrick and go back in time.
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There was a time when I was practicing law in New York and I wanted to find something else to do. So I ended up leaving the practice of law to pursue my art and it just happened to be out of Lego bricks.
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I actually spend very little time listening to any new music.
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I am not predicting here that Obama will fail like Jimmy Carter. What I am predicting is the Republican Party is not extinct and will after a period of time become a strong opposition party.
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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Every little girl looks up to her mom so much - that's your first hero.
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Be reactionary. React to what the market wants. And the market wants one-on-one real time engagement. Now that we have the tools to engage, I'm going to continue fighting for the end user.
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We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.
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Turns out you have a really fun time if you go to work every day and focus on being silly and funny and happy!
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People have different takes on clothes and what to wear and colors and all that stuff, so why make a big deal about uniformity? It took me a long time to grasp that particular concept, simply because I was coming from the James Brown thing. Again, I wouldn't trade that experience for anything.
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I was just lucky enough to grow up in a time when they actually had drama departments in schools.
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Friday night is our date night. We really carve out time for each other.
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I was 17 when I left the small Maine town where I'd grown up. I wanted to do something I thought was important with my life, so I headed to California and didn't look back.
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It's pretty strange because you have images of people in your head when you left, then you just think they're going to be the same when you come back, like time freezes. I have sisters and from the ages of 11 to 13 - it's a big change for girls.
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My parents landed in Calgary in December 1974, straight from Nairobi. They were immigrants, like many people coming to build a better life. My mom was five months pregnant with me when they landed.
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If I really had to pinpoint my happiest days out of the United States, I'd choose those Fifties military days in Britain, particularly my time in South Ruislip. I had a ball.
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Any rehearsal process - I find, anyway - does have quite an effect on me, and I very much live in that world for the whole period of time that I'm involved with the production. But normally, afterwards with a little bit of space, I can come right back out of it again.
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I have a small family, but they are all still in Perth, and I am still very close with my high-school friends.
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I knew that we were clicking when mimics started kidding my voice, I'll know that I'm on the way out when they stop doing their imitations.
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If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.
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This can never become popular, and, indeed, has no occasion to be so; for fine-spun arguments in favour of useful truths make just as little impression on the public mind as the equally subtle objections brought against these truths. On the other hand, since both inevitably force themselves on every man who rises to the height of speculation, it becomes the manifest duty of the schools to enter upon a thorough investigation of the rights of speculative reason, and thus to prevent the scandal which metaphysical controversies are sure, sooner or later, to cause even to the masses.
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One of the roles I hold really close to my heart is a small 'under-five' role I did on 'The Young and the Restless.' I think I did about four episodes and it meant so much to me, simply because it was my mom's all-time favorite soap.
