Maeve Binchy Quotes
Quotes to Explore
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I believe Mexico should dedicate 100% of its oil revenues to developing human capital and technological development. None of us politicians should be able to touch that money.
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Ethiopia is such a great country, beautiful place.
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I got to do the movie, and people who enjoyed 'The Birdcage' came out to see me on stage when I did 'Forum.' It introduced me to a whole new audience that wasn't familiar with my stage work.
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This is a group playing together and that's the only way, I feel, this play can be successful and moving. I am so lucky to have the people that are in it. When I came here I didn't know who was going to be in the play.
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But who knows, some years from now if there's a global emissions trading scheme agreement, as many have hoped for, then I'm sure Australia would be part of it.
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There are minds so impatient of inferiority that their gratitude is a species of revenge, and they return benefits, not because recompense is a pleasure, but because obligation is a pain.
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God gave us faculties for our use; each of them will receive its proper reward. Then do not let us try to charm them to sleep, but permit them to do their work until divinely called to something higher.
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A few months after NASA was formed, I was asked if I knew anyone who would like to set up a program in space astronomy.
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I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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Although some secrecy is odious, some is essential just to preserve our sense of self.
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Art is the job of the privileged.
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What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and dance. How can you not love that?
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In some ways, my most comfortable feeling has been that of being an outsider coming in, but over the years I've tired of that and I'm ready to feel at home. That's what music gives me: a feeling of absolute home.
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In painting you must give the idea of the true by means of the false.
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You have to handle adversity well. There are roadblocks you will have to fight through.
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As far as everyone else's opinion, I mean, if I would have thought that everyone was right, I probably wouldn't have left Compton, so I don't get too caught up on what the next person thinks.
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I grew up in the South and went to church a lot.
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And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, 'Hmm, there's half a page that's good here.' Then you throw out everything else.
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I was single-minded on what I wanted to do since I was like nine or ten.
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The story was the important thing and little changes here and there were really part of the story. There were even stories about the different versions of stories and how they imagined the differing versions came to be.
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The album’s a story, and the story’s about a concept. Sure, it’s a concept record. I think the songs can exist on their own, independent of the record, but they don’t necessarily make sense that way.
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Everybody is a hero in their own story if you just look.
