N. T. Wright Quotes
Quotes to Explore
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My father had a flourishing business as a publisher in North India.
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I'm not trying to prove anything for the right or the left. Which gives me freedom to make jokes about either side, too.
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I would love to explore film seeing as I have prominently been on television. It would be nice to change it up and focus on film a little bit.
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My favorite car is a '69 Barracuda.
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Peter Wagner, my son, just won the Bel-Air Junior Club Championship. Parred the last three holes. One-putts, up and down. Us Wagners don't hit greens. We chip and putt.
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I live in a rural part of Virginia surrounded by farms and farmers.
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Violence is one of the most fun things to watch.
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I like movies where you feel like it was actually thought through.
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I think that ISIS is a threat to our embassy, to our consulate, as well as potentially to the American people.
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I was going to be the head wrangler at a ranch in Wyoming, and the reason I didn't take the job is because I couldn't have my family there - the family had to stay in town. I just wasn't willing to do that.
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I like Louis C.K., Chris Rock. Old schools like Richard Pryor and Eddie Murphy.
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I have to say I wasn't a huge fan of 'Star Wars', and I'm still not, really, but you have to acknowledge that there's a huge fan base for it, and these people are really sweet. You can't stereotype a 'Star Wars' fan.
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I always thought that was one of the single most important things a prosecutor could do is to seek justice for the families of victims.
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The Enron scandal is worthy of the highest level of scrutiny, both because of the enormity of the crimes that may have been committed and because of what the largest bankruptcy in American history has already begun to reveal about the weaknesses in our nation's corporate structures and regulatory oversight.
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I'm fascinated by the people I grew up with and the mistakes I made - and God, I have screwed up. I like writing about where it all went off course.
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With my pictures, what I hope is that it encourages the reader to imagine more pictures of his own.
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At 14 and 15, I used to listen to Tito Puente, Dave Valentine and everything that was happening with American jazz. I love it.
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Many of the master chefs in the South, both the upper South as well as the deep South, were blacks and many of those people came here to Washington, D.C., and opened up establishments. Very, very few of them have survived. But they certainly were very prominent.
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I suggest that US foreign policy can still be defined as 'kiss my ass or I'll kick your head in.' But of course it doesn't put it like that. It talks of 'low intensity conflict...' What all this adds up to is a disease at the very centre of language, so that language becomes a permanent masquerade, a tapestry of lies.
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People don't slip. Time catches up with them.
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At my age it is unseemly to be pessimistic.
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I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
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I was writing a scene where a guy was choking another guy to death. You can go online and type 'chokeholds' and watch scenes where martial artists choke each other out. You can hear what noises they make when they go unconscious, see how their bodies flop and everything. YouTube is amazing for the more detailed stuff.
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Death is a monster; death is horrible.