Binyavanga Wainaina Quotes
I like the idea of readers feeling a familiarity, whether it's with Africa or childhood.
Quotes to Explore
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A few weeks after my mom passed in November of 2013, I came back from an injury and entered the Egg Bowl in the second half against Ole Miss. I'll never forget the feeling when I walked back out on the field. As I walked into the Egg Bowl, the crowd stood up and clapped like they were enveloping me in a giant hug.
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You rarely get satisfaction sitting in an easy chair. If you work in a garden on the other hand, and it yields beautiful tomatoes, that's a good feeling.
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I was brought up in a very poor and very violent household. I spent much of my childhood being afraid.
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Emotions come first, and in the most direct sense: you first have an emotion and then have a feeling. But also first in the history of the human race, for the ability to have emotions long preceded the ability to have feelings.
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I must've been a bird in some previous lifetime. I feel like I'm called to flying - the convenience and the beauty of it. That feeling of soaring would be empowering.
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I don't do a film unless it has a sword in it. And if it doesn't have a sword in it, I insist that they have one in the same room to keep me comfortable.
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When you write as a woman, there's this feeling there's going to be a softness.
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Being in this fine mood, I spoke to a little boy, whom I saw playing alone in the road, asking him what he was going to be when he grew up. Of course I expected to hear him say a sailor, a soldier, a hunter, or something else that seems heroic to childhood, and I was very much surprised when he answered innocently, 'A man.'
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I always had a feeling when I was a kid that I didn't really know what was going on. Everybody else knew stuff that I didn't know.
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There's something about girls and unicorns that's deep and meaningful. Something about childhood.
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I had always wanted to be on SNL, it's not always great, but it's this leftover childhood dream.
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Every Yom Kippur, Jewish tradition requires a strict spiritual inventory. You aren't supposed to just sit around feeling guilty, but to take action in the real world to set things right.
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I like working on stories where I can explore the darker corners of childhood without illustrations but with humor.
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Self-respect: the secure feeling that no one, as yet, is suspicious.
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When you really work hard for something that you genuinely and truly love, and you don't want it to fail, it's a good feeling to see it do good.
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A twenty-one-year-old writer is likely to be inhibited by a lack of usable experience. Childhood and adolescence were something I knew.
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I really do feel very lucky. I've had my kids and my relationships. I've set my life down - I'm in my house, and I'm alone with my children - and I'm at peace, and that's a really nice feeling. All I really want in my life is to maintain that.
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I had a free-range childhood. We lived in town but with a cow, chooks, bees, and multiple veggie gardens so we could live self-sufficiently.
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In 'Teen Wolf,' I don't really have any stunts. And if I do, it's like Stiles falls on the ground or something like that.
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I work in my office on the campus of the University of Texas. It's the sort of place described as 'book-lined', but it's recently tipped over into 'fire-hazard' territory.
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I like to move fast, and wearing high heels was tough, and low heels with a skirt is unattractive. So pants took over.
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We still have a soft approach on the perpetrators of crimes like worst forms of child labour.
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I know my father and my mother, but beyond that I cannot go. My ancestry is blurred.
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I like the idea of readers feeling a familiarity, whether it's with Africa or childhood.
