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Right before I graduated from the national theatre school, I got the part of Roxie Hart in 'Chicago' in Copenhagen. That led to me playing it here in London. I was 26 when I came over for that. It was the first thing I did as a professional, and it is still the experience of my life.
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If you go for an audition, you have a character description, and for the women, it's always about being beautiful, sexy. And for the men it's more about the character than how he appears physically. That annoys me.
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I've been told that no one knows what happens in the future on 'Game of Thrones.' To my knowledge, I've shot one episode. So I'm as excited as anyone else to find out what happens.
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In many senses, 'Borgen' was a very democratic show. I was always invited to hear the writers' thoughts for the next episodes and allowed to comment on them.
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After 'Pitch Perfect' premiered, I've got so many sweet expressions from people who enjoyed 'Pitch Perfect' and now the episode of 'Game of Thrones.'
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I'd love to play a villain in BBC drama 'Sherlock' - some sort of evil, slinky blonde would be right up my street.
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At some point, they must do a 'Borgen' tour in Copenhagen. Like the 'Sex and the City' tour, but on bicycles.
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Acting and singing were just a hobby, but getting into drama school made me realise I could actually do it for a living.
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In Copenhagen, we all ride bicycles everywhere, partly because it is impossible to park a car, but also because you can cross the city in 20 minutes on a bike.
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I think one of the reasons 'Borgen' has such a following is because the characters are quite positive people.
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I used to watch a lot of American and British television as a child, which helped teach me the language and accents; it was partly that which landed me the part of Roxy in a London production of 'Chicago' when I was 25.
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For me, art is like a big support group, where you go and meet people who think the same way, and you go, 'Okay, I'm not nuts.'