Birgitte Hjort Sorensen Quotes
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Usually, when you get early versions of scripts, they are not very good. I found 'Borgen' amazing from the very first read-through because of how fast-paced and gripping it was. It felt more international because of the way it didn't dwell on the characters' personal lives as many Danish shows used to, but still, nobody thought it would travel.
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I've tried to pitch 'Borgen - the Musical,' but they just won't listen to me!
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When I was starring as Roxie Hart in 'Chicago,' I got my stiletto heel caught in my fishnet tights and fell flat on my face. It was incredibly painful and not something you can cover up.
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Quite a lot of British women stop working when they have children, and that is rarely the case in Denmark. We have a very flat, structured way of approaching everything. Nobody's the boss. In a sense, we're all equal.
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'Coriolanus' deals with the birth of democracy. And that has been fascinating because I've been talking about politics so much because of 'Borgen.' It's a nice bridge.
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Don't worry about not fitting in. The things that make people think you're weird are what makes you you, and therefore your greatest strength.
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I have a problem with fashion magazines sometimes - they seem to have these dogmas or uniforms. 'This is the way you must look; this is this season's must-have.' I really resent the phrase 'must-have.' I prefer to decide for myself what I think is beautiful or fashionable.
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Strong female leads make more of an impact in the U.K. than in Denmark.
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If I can iron out my accent, it opens up another world of possible jobs. Whereas if you have that very strong European accent, it leaves you always being cast as the Hungarian maid or the stripper or whatever. I have voice lessons, and my coach has given me different tongue-twisters to rehearse at home.
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I adore Copenhagen, where I live, but I'm really drawn to New York.
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In film or TV work, you can have this amazingly dramatic pause, and they'll just edit it out.
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In the U.K., journalists are a little bit more ruthless than in Denmark. I have a feeling the tabloid press in the U.K. is pretty harsh.
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Whenever I have a few hours to dive into a book, I am happy.
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Any director or writer or artist has the right to do what they want to do - freedom of expression is something I celebrate.
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It's the prerogative of the writer to rewrite the world into one he would like to exist.
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When I approach any script, I always try to find what I would relate to most in it.
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I ride my bike past the Danish Parliament, and it's very accessible - there's really no security!
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I've done so much travelling in the past few years, and when you travel, you realise that we do actually have a cool, clean look in Scandinavia - it's not just Denmark - which I think brings peace if you have it in your home.
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Singing and dancing are the greatest emotional outlets you can have.
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On Christmas Eve, we have a duck or roast pork with caramelised potatoes, braised red cabbage and gravy. For dessert, we have ris a l'amande, a rice pudding, and whoever gets the whole almond in it wins an extra present. Then we dance around the tree and sing carols.
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When I was a kid, my sisters and I used to get a little present in our stocking each day of December, usually an ornament, some sweets, or a little toy.
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Right before I graduated from the national theatre school, I got the part of Roxie Hart in 'Chicago' in Copenhagen. That led to me playing it here in London. I was 26 when I came over for that. It was the first thing I did as a professional, and it is still the experience of my life.
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The thing with drama is you're allowed to invent people who are maybe slightly better than real people.
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On a perfect weekend, I'll stay in bed until I am rested, though I am not someone who sleeps late. Then I'll go for a run through the parks nearby, even if it is frosty and cold, and I love meeting friends for brunch. You know you are truly on a day off if you have time to do brunch.