Emilia Clarke Quotes
I don't get much studio stuff. I'm usually on location, and I know that some people think that acting is so glamorous, but believe me, it's not!
Quotes to Explore
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If we could all figure out a way to just be true to ourselves and have a good time doing what we're doing, it would be a lot more fun.
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Every generation comes with a unique athlete, I don't think anybody wants to be the next Nadia; they want to be themselves.
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Our parents all experimented with raising us in a fairly loose, unorthodox way. A huge emphasis was placed on creativity, and our artistic efforts were never dismissed as childish. There was a sense that we - kids and grown-ups - all had the potential to make something of value. Our drawings were not simply destined for the refrigerator.
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Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.
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I really like having a life outside work. I sometimes wish I did more career stuff and was in that Hollywood scene a bit more. But Toronto's my home.
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Only together do Europe and the U.S. stand a chance of keeping liberal democracy as the central doctrine for organizing world affairs.
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The biggest rival I had in my career was me. I couldn't control Arnold Palmer, Gary Player, Tom Watson or Lee Trevino. The only person I could control was me.
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I just don't think men fancy me.
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I don't think anything's ever simple. Everyone's just trying to understand each other, and whether that's because you're in a relationship or because you're meeting their friends or because their meeting your brother or whatever it is, nothing like that is ever smooth running.
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You can't make a living as a playwright. You can barely scrape by.
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This is my ultimate fantasy: watching QVC with a credit card while making love and eating at the same time.
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All people, regardless of whether they're athletes or not, should treat people the way they want to be treated.
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I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
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We call ourselves a dog's 'master' - but who ever dared to call himself the 'master' of a cat? We own a dog - he is with us as a slave and inferior because we wish him to be. But we entertain a cat - he adorns our hearth as a guest, fellow-lodger, and equal because he wishes to be there.
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I wanted to look at the mentality that can breed that sort of intensity, that kind of cutthroat, pressure-cooker feeling, especially a form of music like jazz, that should be - or you'd think should be - all about liberation and improvisation and everything.
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It might be useful to distinguish between pleasure and joy. But maybe everybody does this very easily, all the time, and only I am confused.
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I don't want to hear about my death.
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If it feels right and I'm not going against any energy in myself or the situation, there would be no limit.
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Oh, and Scott, get Mark to play me. He's the most talented one anyway.
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The things that interest me are less to do with perhaps finding myself and more to do with surviving and mercy and forgiveness.
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I think if we go back and check our record, the Negro has proven beyond a doubt that we have been more than patient in seeking our rights as American citizens.
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The efforts on the parts of Eastern magazine writers to educate the people of the United States, particularly parents, to the doctrine that they limit the number of their offspring to three or four children, and how this can be accomplished, is both pernicious and an abomination in the sight of the Lord; and it robs both man and his Maker of their glory and increase.
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I don't get much studio stuff. I'm usually on location, and I know that some people think that acting is so glamorous, but believe me, it's not!
