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I believe that everything has a shelf life.
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Your life, your circumstances change, and you have to continue to grow as a person, and once you have means and opportunity, you have to make different choices to protect what you have.
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My father, Phillip Gilmore, was very talented. He was getting seriously into dancing. He was on 'Soul Train' and won $2,500. But the Bay Area was too small for him. I don't think he had the space to do what he needed to do.
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As an actor, as you grow into where you fit in the industry, you're just trying to find the opportunities, hoping they grow and you get to do more.
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What you see in 'Daredevil' and 'Jessica Jones' isn't the Hell's Kitchen of today; it's a version of what it was like.
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There was a sadness over me, a melancholy. That's always been a part of me – those are some of the things that lead you to the arts.
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Now, being one who lived in the era of Obama, there are so many markers of improvement made. It's hard to be mindful of that, in the same way you're going, 'Oh everything's cool now!' and it isn't. But I try to be mindful of how much of an improvement there has been because that gives hope. You need hope. I need hope!
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My dream role is Jack Johnson, the first black heavyweight champion.
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I'm not shy about trying to find what truth there is in any genre, whether that be an action piece, a sci-fi piece, a small indie film, or a play. I'm open to it all.
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To really be conscious of how long the journey is, be patient, push yourself, persevere, and always be working on your craft while waiting for your break. That's what I'm still working on, having done this for 20 years now.
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I always felt that Jay Z, if he had a different upbringing, could be on Wall Street or in politics. If you really listen to Jay Z talk, he's kind of the smartest guy in the room.
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I'm so appreciative that people have begun to recognize my work in a way where it can afford me more opportunities.
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What I think I learned from working on 'Moonlight' is you see what happens when you persecute people. They fold into themselves.
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'House of Cards' opened some doors. I've been able to tackle some diverse stories and characters.
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In my humble opinion, the ages 22 to about 27 are the most critical years of your adult life. It's your time to gestate in the cocoon of becoming.
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I have to say goodbye to things in order to take on bigger things that I've always wanted to do.
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My mom and stepdad were strict. I couldn't date; I couldn't go out. And I was a kid who was never good at just taking no for an answer. I needed to understand why. And sometimes they weren't interested in explaining.
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I found myself sort of becoming a character actor, though I don't know if that would be my natural makeup.
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I haven't gotten to do the leading man thing, so I would love to do that!
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I grew up on a wide range of stuff. OutKast, they been around for over 20 years, and some of the L.A. cats like Defari, Dilated Peoples and Likwit Crew. I was always going to these shows and catching the KRS-One tennis ball, as he would throw those out, EPMD. I could go on and on.
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The people that I admire have a wonderful balance of self-belief and humility.
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I know someone from growing up who is in jail right now for the rest of his life, but he was one of the sweetest people I ever knew.
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I love Michelle Williams. I think she's extraordinary. I was such a fan of 'Blue Valentine,' and I heard stories about how Ryan Gosling and Michelle Williams worked on that. They lived together for a period of time as rehearsal. From nine in the morning to five at night, living in a space together. The work is really awe-inspiring.
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If you're not careful as an actor, you can find yourself, at a certain point, a little bit bored.