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There's this Method Man album called 'Tical.' It's his first album. I would just listen to that every day, because the album feels like, if it were a film, it would be black and white. It feels like there's a war percolating throughout the album itself. It's dark, and it has a nice forward pace to it.
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I love hip hop. It's such an appendage for me. It's something that's always shaped my experience out in the world.
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When I was growing up, I was told you could be anything you want to be, but I didn't really believe that because you couldn't be president. Like, I knew that; we never had a black president.
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At that moment in time when we feel like the other, we were not the person embraced, not one of the cool kids, not in the club - when you're that person, it makes you feel smaller, and when they persecute you as a result, that's a difficult position to be in.
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At graduate school in 1999, I finally had the chance to examine why I believe what I believe. I realised that I'd had no period in my life where I'd consciously tried to develop my own theology.
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I do think that there are people who are able to connect with and empathize with anyone who is going through something difficult, just naturally. I don't think it's a world of effort for everyone.
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My parents were in high school when I was born. My mom was 16, my dad was 17. They were kids, at the very beginning of coming into their own and finding themselves.
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Family are the people that can hurt you the most.
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Understand that we are all co-creators of our respective destinies.
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I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
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My friends in college, several of whom are still my closest companions, would tell you that I was almost obsessed with becoming - fixated on creating - the future that I envisioned for myself: one of expanding to know my fullest self, which I have in no way achieved.
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I was a sports kid.
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The call for diversity is about recognizing that in order to be in the conversation come awards season, it goes back to the content that is being produced.
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The work that I do with all of my characters is have some sense of where they come from. I kind of create my own story for myself. What's going on with my parents? Are they alive? Or family - do I have children? Do you see those things or not?
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There are instances where you're in a space with someone who has been extraordinarily successful, and they don't necessarily connect with you as another person. You can be a prop for them to deliver their stuff, and you're just another element in the scene.
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It's still amazing, but when I was growing up, Harlem was the Mecca of black culture. I was so inspired by it, the aspirational feeling you'd get spending time there. Experiences that were really specific to that place.
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I think selfishly, as an actor, we always want to do more.
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When I was growing up, in the '80s and '90s, I just never really saw myself reflected in the things that I had a liking for. It makes a difference.
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I do believe in the potential of like-minded people coming together.
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When you have these surprise breakout films that do well, that have good performances in them, it puts a lot of pressure on the Academy to recognize those projects, so it's more of a conversation about what is greenlit.
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To get to play someone who was in some capacity the King of Harlem, that meant something to me. Deep within my bones. I was inspired by the energy that I knew to be a real thing.
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Come on, we would be foolish to say that there's never been African-American leads in some capacity, people of color in some capacity, leading shows or what have you. But it hasn't happened enough and in a manner that is an accurate reflection of the world that we live in.
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I was supremely fortunate to do several projects that I'm really excited about. So within all that, there's a lot going on this year. I'm excited about 2016.
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I really wasn't into comic books growing up.