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I remember clearly, when I was about 4, my Aunt Linda said, 'I'm not babysitting him no more. He's bad.' It was one of the first conscious shifts I remember making. I decided, 'I'm going to be good now.'
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There's this Method Man album called 'Tical.' It's his first album. I would just listen to that every day, because the album feels like, if it were a film, it would be black and white. It feels like there's a war percolating throughout the album itself. It's dark, and it has a nice forward pace to it.
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When I was growing up, I was told you could be anything you want to be, but I didn't really believe that because you couldn't be president. Like, I knew that; we never had a black president.
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I thought, 'I've been doing this for 16 years professionally. I have a window where I want to play leading parts.'
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To get to play someone who was in some capacity the King of Harlem, that meant something to me. Deep within my bones. I was inspired by the energy that I knew to be a real thing.
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I think selfishly, as an actor, we always want to do more.
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Understand that we are all co-creators of our respective destinies.
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I was supremely fortunate to do several projects that I'm really excited about. So within all that, there's a lot going on this year. I'm excited about 2016.
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There are instances where you're in a space with someone who has been extraordinarily successful, and they don't necessarily connect with you as another person. You can be a prop for them to deliver their stuff, and you're just another element in the scene.
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At graduate school in 1999, I finally had the chance to examine why I believe what I believe. I realised that I'd had no period in my life where I'd consciously tried to develop my own theology.
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At that moment in time when we feel like the other, we were not the person embraced, not one of the cool kids, not in the club - when you're that person, it makes you feel smaller, and when they persecute you as a result, that's a difficult position to be in.
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The work that I do with all of my characters is have some sense of where they come from. I kind of create my own story for myself. What's going on with my parents? Are they alive? Or family - do I have children? Do you see those things or not?
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When you have these surprise breakout films that do well, that have good performances in them, it puts a lot of pressure on the Academy to recognize those projects, so it's more of a conversation about what is greenlit.
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Family are the people that can hurt you the most.
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Come on, we would be foolish to say that there's never been African-American leads in some capacity, people of color in some capacity, leading shows or what have you. But it hasn't happened enough and in a manner that is an accurate reflection of the world that we live in.
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I wanted to get that Division I scholarship and play ball and go to school for free, and I was always about getting to that next step... I was always ahead of myself in some way, shape or form, and trying to envision how to get further along and closer to fulfilling that dream of being free and having creative agency, so to speak.
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As young people, you want to see people who in some way look like you to some degree, because it makes it a little easier for you to aspire to take on the qualities of those people.
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I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
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We live in diverse communities with all sorts of people from all sorts of different backgrounds. The more our entertainment can be a reflection of the world we live in, the better it is for all of us.
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Regardless of theology or however you see life or relate to worshiping God, as an artist, my job is to tell the truth and then try to connect with these characters and people as honestly and deeply as possible.
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Basketball wasn't going particularly well, but in my senior year, I did a play and got a wonderful card from a professor that said, 'I don't know what your plans are after school or if acting is a part of it, but you have something special.' Hearing that from someone who I had so much respect for pointed me in that direction.
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In terms of pace, I think I just have to revisit my relationship with expectations. That has a little bit to do with comparing ourselves to other people and seeing other people's journey and seeing how they had a certain success at a certain age.
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I do believe in the potential of like-minded people coming together.
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I do think that there are people who are able to connect with and empathize with anyone who is going through something difficult, just naturally. I don't think it's a world of effort for everyone.