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I approach things from my feeling first. I have to get a feel for the character. I'll do that through music; I'll do it through what is naturally popping up for me when I read the script. My ideas or whatever the occupation of the character might be.
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I saw this documentary he did years ago called 'Fade to Black.' I was always a Jay Z fan - I liked Jay Z - but after I saw that documentary, I loved Jay Z. I realized how intelligent he was.
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The call for diversity is about recognizing that in order to be in the conversation come awards season, it goes back to the content that is being produced.
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I do believe in the potential of like-minded people coming together.
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You can't watch 'Daredevil' or 'Jessica Jones' or the Marvel films and not be aware that the villain has to be awesome. I've always wanted to have more space. And the scope, morally, is more broad for the villain than the hero.
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I really wasn't into comic books growing up.
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I just love what Nicholas Britell did with 'Moonlight.'
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I do think that there are people who are able to connect with and empathize with anyone who is going through something difficult, just naturally. I don't think it's a world of effort for everyone.
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It's still amazing, but when I was growing up, Harlem was the Mecca of black culture. I was so inspired by it, the aspirational feeling you'd get spending time there. Experiences that were really specific to that place.
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Regardless of theology or however you see life or relate to worshiping God, as an artist, my job is to tell the truth and then try to connect with these characters and people as honestly and deeply as possible.
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There are not enough going into production so that we can tout them. Look at 'Precious'... In order for them to stand out, they have to get made in the first place, and that's just not happening enough.
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I'd never been around or seen a black showrunner, and in some ways you wish that it wasn't a big deal.
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People do bad things, but that doesn't mean they don't have other colors or qualities.
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I've never seen 'Gone with the Wind.' I don't know if that's something to be embarrassed about, but I know that I should have seen that movie by now.
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I think if you have any desire to be a leading man or to really carry some of these stories, there's this relationship that has to be cultivated with an audience. People have to be able to say your name.
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I've never seen anyone - and I've had the opportunity to work with some really terrific actors in my time - but Philip Seymour Hoffman is definitely the best I ever had the opportunity to work with.
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Coming off 'House of Cards,' playing someone so straight-laced, I was getting offered a lot of F.B.I. agents.
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I was a sports kid.
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My parents were in high school when I was born. My mom was 16, my dad was 17. They were kids, at the very beginning of coming into their own and finding themselves.
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People will burn through a show in two or three days, and then you're left feeling empty for 51 weeks.
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I really love Tom Hardy. He makes really interesting choices.
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For my characters, it's important to get really specific about what they listen to. Because it affects how they move in the world.
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If you convert to Islam after a couple of decades of being a black man in the U.S., the discrimination you receive as a Muslim doesn't feel like a shock.
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Kids feel like they have to puff up or shrink. These reclusive qualities begin to develop because you feel that who you are is going to either be accepted or rejected by your family and friends.