Mahershala Ali Quotes
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As young people, you want to see people who in some way look like you to some degree, because it makes it a little easier for you to aspire to take on the qualities of those people.
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You can't watch 'Daredevil' or 'Jessica Jones' or the Marvel films and not be aware that the villain has to be awesome. I've always wanted to have more space. And the scope, morally, is more broad for the villain than the hero.
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I've never seen 'Gone with the Wind.' I don't know if that's something to be embarrassed about, but I know that I should have seen that movie by now.
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I really enjoyed working with Mariah, Alfre Woodward's character, because she's a wonderful actor, and I felt we had a natural chemistry that was reflective of real family members.
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I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
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In terms of pace, I think I just have to revisit my relationship with expectations. That has a little bit to do with comparing ourselves to other people and seeing other people's journey and seeing how they had a certain success at a certain age.
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I approach things from my feeling first. I have to get a feel for the character. I'll do that through music; I'll do it through what is naturally popping up for me when I read the script. My ideas or whatever the occupation of the character might be.
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We live in diverse communities with all sorts of people from all sorts of different backgrounds. The more our entertainment can be a reflection of the world we live in, the better it is for all of us.
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Basketball wasn't going particularly well, but in my senior year, I did a play and got a wonderful card from a professor that said, 'I don't know what your plans are after school or if acting is a part of it, but you have something special.' Hearing that from someone who I had so much respect for pointed me in that direction.
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There are not enough going into production so that we can tout them. Look at 'Precious'... In order for them to stand out, they have to get made in the first place, and that's just not happening enough.
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I just love what Nicholas Britell did with 'Moonlight.'
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I saw this documentary he did years ago called 'Fade to Black.' I was always a Jay Z fan - I liked Jay Z - but after I saw that documentary, I loved Jay Z. I realized how intelligent he was.
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I think if you have any desire to be a leading man or to really carry some of these stories, there's this relationship that has to be cultivated with an audience. People have to be able to say your name.
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I'd never been around or seen a black showrunner, and in some ways you wish that it wasn't a big deal.
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Regardless of theology or however you see life or relate to worshiping God, as an artist, my job is to tell the truth and then try to connect with these characters and people as honestly and deeply as possible.
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I wanted to get that Division I scholarship and play ball and go to school for free, and I was always about getting to that next step... I was always ahead of myself in some way, shape or form, and trying to envision how to get further along and closer to fulfilling that dream of being free and having creative agency, so to speak.
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I really love Tom Hardy. He makes really interesting choices.
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It's about very talented writers, directors, producers, and actors being in a position for their projects to be supported, but there's just not enough black projects being made.
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People will burn through a show in two or three days, and then you're left feeling empty for 51 weeks.
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People do bad things, but that doesn't mean they don't have other colors or qualities.
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Kids feel like they have to puff up or shrink. These reclusive qualities begin to develop because you feel that who you are is going to either be accepted or rejected by your family and friends.
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If you convert to Islam after a couple of decades of being a black man in the U.S., the discrimination you receive as a Muslim doesn't feel like a shock.
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I've never seen anyone - and I've had the opportunity to work with some really terrific actors in my time - but Philip Seymour Hoffman is definitely the best I ever had the opportunity to work with.
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Coming off 'House of Cards,' playing someone so straight-laced, I was getting offered a lot of F.B.I. agents.