BJ the Chicago Kid Quotes
House is a big part of the rhythm in Chicago. I don't care if you're the most hood gangbanger - you understand house.

Quotes to Explore
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The Afghans themselves say that if you put two Afghans in a room, you get three factions.
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I feel like I've cheated. I never knew what to do. I was never a good enough painter to earn a living, and so I drifted into the theatre, and I've had a successful life. I feel guilty that I've never done a day's work in my life!
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Some of the furor that surrounded a Harry Potter publication was fun.
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I feel there's enough seriousness in the world without seeing it in the theatre.
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Hungary is, in a word, in a state of WAR against the Hapsburg dynasty, a war of legitimate defence, by which alone it can ever regain independence and freedom.
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To take part in this brothel through the payment of my taxes, that had become to me unbearable.
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They got word that the Japanese planes were coming back, so we sunk her ourselves so the Japanese wouldn't get it. We didn't want the Japanese to get it intact.
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'Heroine' is about a declining and imbalanced superstar - a very brave and bold role. I wanted to test whether I could carry a role like this. I have given 200 per cent to this role. She's a very complex character, very aggressive, manipulative and bold, yet she's very fragile.
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I write the novels that are possible for me to write, not that ones I think will come across in a certain light.
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People automatically assume that because you're an actor, you're a blank canvas 24/7. But I can't wear what everyone else wears. If I went to an audition, I'd wear what the character would wear, but the moment I'm done with the audition or done filming, I go back into my high-waisteds.
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The thing is that pictures are everywhere. The question is what we don't see, and why don't we see so much. I just see it.
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To go behind a man's hall-door is mean, cowardly, unfair opposition.
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I didn't have any friends, and I never went to the class parties.
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I met Gerhard Richter and Alighiero Boetti when I was a teenager, and I was really inspired by them. When Boetti died, I realized I only vaguely remembered so many things he told me. It was such a pity. Had I only recorded his voice, he would still be with me, and I could listen to it from time to time.
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I was trained in classical piano, but it kind of dawned on me that classical pianists compete for six job openings a year, and the rest of us get to play 'Blue Moon' in a hotel lobby.
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My life is studded with a series of coincidences.
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When my family did shy away from Indian food, we'd eat a lot of Chinese. We'd use the wok a lot. I never had a problem with Brussels sprouts or broccoli growing up. I always grew up with the mentality of finishing your plate.
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Carey Mulligan and Felicity Jones are two of my favorites. I'm not so much younger than them. I like that. It's kind of aspirational.
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Better to be wrong than be boring.
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In 1981, Ms. Ebtekar was made editor-in-chief of the English-language newspaper 'Kayhan International.' The man who gave her the job was Mr. Khatami, who was then head of the Kayhan publishing house.
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I think for me, the imaginary world was always exciting. I started in New York doing theatre, from having just one person in an audience to performing for a full house. I think I've always enjoyed playing different characters, blending into different environments and such.
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Educators shouldn't be afraid of cliches. You know why? Because kids don't know most of them! They're a new audience. And they're inspired by cliches.
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I'd like to direct some, act in some of them, and produce.
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House is a big part of the rhythm in Chicago. I don't care if you're the most hood gangbanger - you understand house.