BJ the Chicago Kid Quotes
I started singing backgrounds for Mary Mary and Usher during 'Confessions.' Then I jumped to working with Anthony Hamilton, Jill Scott; jumped again to Kanye West, The Killers. I kept saying, 'OK, this is the last time; then I get to do my music.'
Quotes to Explore
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Nobody can teach what is inside a person; it has to be discovered for oneself and a way must be found to express it.
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We need leaders who will stand unapologetically in defense of marriage.
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It would make everything I worked for meaningless if baseball is integrated but political parties were segregated.
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In film, you're so much in the hands and at the mercy of the editor, so sometimes it's good to watch it just to see how it turns out - it can be so different than how you imagined it. But sometimes it's better to just let it go for your own sense of self worth.
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I think it takes 30 years to build a luxury brand.
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I always enjoyed myself a lot in pre-school.
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My mind boggles at the amount of violence inflicted upon children in today's society.
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The best thing to do is just leave them alone. Alligators want to be away from you just as much as you want to be away from them.
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What we cannot deny is that there's an association between exclusion, segregation, non-violent extremist thinking, and jihadism.
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To be honest, if it wasn't for my daughter, I don't think I would have gotten out of the situation that I was in before 'Idol' because I am a domestic violence survivor.
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I'll admit it: I'm a control freak. I am. If I'm going to do something, I'm going to do it 110% or there's no point in doing it at all, especially if the work takes me away from time with my husband and children.
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The secret to everything for me is doing yoga every day. It does do nice things for your body, but it also kind of calms you down and chills you out. Other than that, I don't really drink alcohol and I always take my makeup off at night!
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It's really not about me. At the end of the day, God willing, I'll have another 40 or 50 years on this planet, and what I'm saying to myself is, 'What do I want to leave here?'
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I'm a really bad liar.
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I think American audiences like gangster movies. You know, it's part of the culture.
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I don't have any respect at all for the scum-bags who went to Canada to avoid the draft or to avoid doing their fair share.
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My general take on American music since 1969 is that it's just getting stiffer and people are getting more uptight - audience, performance, and palace guard.
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With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
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Here dead lie we because we did not choose to live and shame the land from which we sprung. Life, to be sure, is nothing much to lose; but young men think it is, and we were young.
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I've played all these extreme guys, but playing an everyman type has its own challenges.
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When 'You've Lost that Lovin' Feeling' hit, we were doing a show called 'Shindig!' and the Righteous Brothers suddenly became big business.
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Music, I feel, must be emotional first and intellectual second.
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As for me, I am in pursuit of excellence. I have no time to get old.
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I started singing backgrounds for Mary Mary and Usher during 'Confessions.' Then I jumped to working with Anthony Hamilton, Jill Scott; jumped again to Kanye West, The Killers. I kept saying, 'OK, this is the last time; then I get to do my music.'
