Emilio Ambasz Quotes
My first architectural project I did, I must have been fifteen, was for neighbors across the street, a couple of school teachers, and I designed a house for them. I didn't know anything about Le Corbusier or anything like that, but it ended up being a very cubistic kind of house. I always wanted to be an architect.
Quotes to Explore
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I'm a capitalist but one who is smallist and localist, and who favours businesses where owners are still in charge.
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Justice is revenge.
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Michael Jordan changed so much in basketball, he took his power to make a difference. It's so much going on in music right now and somebody has to make a difference.
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I want to help middle-school girls stay interested in math and be good at it, and see it as friendly and accessible and not this scary thing. Everyone else in society tells them it's not for them. It's for nerdy white guys with pocket protectors.
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I really miss things like going to football games and pep rallies, and when I come home to Tulsa, I always try to go to those things.
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If you want to grow a beard like mine, the only thing I can tell you is that you have to have patience. You just have to let it grow.
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It is important that the audience should understand every syllable of every word, for only then can they grasp the meaning of the song.
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I don't think about my fame very much.
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But there will come a time and a place to give back, and each individual will recognize that time and place.
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My argument is simple, which is, that for several thousand years in Western civilization, marriage has been the union of one man and one woman. Research is overwhelming that children need mothers and fathers.
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I find the business world hard.
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Democracy is not about one party dominating.
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You don't become the leading spinner of the team by just talking. You have to perform well consistently over a long period of time. I have bowled well and won games for India. That is why I am the No. 1 spinner. Every time I have taken the field, I have given my 100%.
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It was just one of those moments in the universe that was mine.
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The technological revolution at home makes it much easier for computers to do our work.
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I was in Nashville quite a bit when I shot 'Nashville,' and I was in Los Angeles when I shot in 'Supergirl'.
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In social matters, pointless conventions are not merely the bee sting of etiquette, but the snake bite of moral order.
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The eyes are the windows of your soul, and when you're acting, they're one of your most important instruments. Especially for close-ups!
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We are becoming able to see the pursuit of external power for what it is and the futility of trying to escape the pain of powerlessness by changing the world. When we look inward, not outward, we can dismantle the parts of our personalities that have controlled us for so long - such as anger, jealousy, vindictiveness, superiority, inferiority.
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During the couple of years it took to write 'At The Bottom of Everything', I decided, on the sort of hopeful whim that occasionally overtakes me, to sign up for piano lessons.
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Some guys lay their fannies out there every night - they play the game at such a high level, and they give so much that, frankly, they don't get credit for it. And I think it's tragic sometimes.
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I look at all my projects as a stair step to the next. My goal is to always get better and better.
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My first architectural project I did, I must have been fifteen, was for neighbors across the street, a couple of school teachers, and I designed a house for them. I didn't know anything about Le Corbusier or anything like that, but it ended up being a very cubistic kind of house. I always wanted to be an architect.
