Emilio Ambasz Quotes
My first architectural project I did, I must have been fifteen, was for neighbors across the street, a couple of school teachers, and I designed a house for them. I didn't know anything about Le Corbusier or anything like that, but it ended up being a very cubistic kind of house. I always wanted to be an architect.
Quotes to Explore
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I'm a capitalist but one who is smallist and localist, and who favours businesses where owners are still in charge.
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Justice is revenge.
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Michael Jordan changed so much in basketball, he took his power to make a difference. It's so much going on in music right now and somebody has to make a difference.
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I want to help middle-school girls stay interested in math and be good at it, and see it as friendly and accessible and not this scary thing. Everyone else in society tells them it's not for them. It's for nerdy white guys with pocket protectors.
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I don't think about my fame very much.
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But there will come a time and a place to give back, and each individual will recognize that time and place.
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My argument is simple, which is, that for several thousand years in Western civilization, marriage has been the union of one man and one woman. Research is overwhelming that children need mothers and fathers.
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I find the business world hard.
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Democracy is not about one party dominating.
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It was just one of those moments in the universe that was mine.
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The technological revolution at home makes it much easier for computers to do our work.
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I was in Nashville quite a bit when I shot 'Nashville,' and I was in Los Angeles when I shot in 'Supergirl'.
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In social matters, pointless conventions are not merely the bee sting of etiquette, but the snake bite of moral order.
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The eyes are the windows of your soul, and when you're acting, they're one of your most important instruments. Especially for close-ups!
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I gambled and I lost. I failed in securing my options for this choice for myself, but I succeeded in verifying the Dark Age is still with us.
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Van Gogh never made a penny in his entire lifetime. He painted because it was his soul, his excitement. It was what aligned him with his Source of being. It's the same with me and writing.
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We imbue deserts and the tundra with menace because nothing, or little, grows there.
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During my twenties and thirties, my interest in the political poem increased as my apparent access to it declined. I sensed resistances around me. I was married; I lived in a suburb; I had small children.
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There's the Draymond Green you see out on the floor. But that's not me. I mean, it is, but there's more. People see the fiery guy, the competitive guy, the trash talk and everything. But they don't see the love and compassion. They don't see the person. They don't see the real me, who values his friends and puts people first.
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At any age, we struggle with intimacy. When you're a kid, you think, 'I won't have that problem. I'll have sex whenever I want when I'm a grown-up!' And then, somehow, it doesn't quite turn out that way, and it's so surprising to people that connection remains so challenging even when you're married.
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Nothing could move me away from my admiration of Jeff Sessions.
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I start the day off with a pot of coffee, and I read all the newspapers online, then I delve around for new music.
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My first architectural project I did, I must have been fifteen, was for neighbors across the street, a couple of school teachers, and I designed a house for them. I didn't know anything about Le Corbusier or anything like that, but it ended up being a very cubistic kind of house. I always wanted to be an architect.
