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Being a musician is very easy. My house is full of musical instruments. There's a lot of music, always.
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Maybe I'll be a feminist in my old age.
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Nature has always been important to me. It has always been in my music.
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I do believe sometimes discipline is very important. I'm not just lying around like a lazy cow all the time.
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There is this stereotype of Icelanders all believing in spirits, and I've played up to that a bit in interviews.
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Come on, I'm from Iceland; I don't do hip-hop.
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For a person as obsessed with music as I am, I always hear a song in the back of my head, all the time, and that usually is my own tune. I've done that all my life.
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Compared to America or Europe, God isn't a big part of our lives here. I don't know anyone here who goes to church when he's had a rough divorce or is going through depression. We go out into nature instead.
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I've always appreciated working with people I have chemistry with, who are friends, and where you feel that the work is growing while you are getting to know each other better.
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I find most children quite inspiring.
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I don't expect people to get me. That would be quite arrogant. I think there are a lot of people out there in the world that nobody gets.
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My first album didn't come out until I was 27, which in pop years is late, you know. But when it came time to arrange it, I became a kid in a toy shop. I had a harp and a saxophone quartet and a symphony orchestra. I went berserk for a time.
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While you're setting something up that's educational for yourself, you have an opportunity to teach others at the same time.
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In 2008, I was more just thinking about using the touchscreen for writing the songs. From there I started thinking about how I visualised music.
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The funeral business is so manipulative emotionally. I would want to be thrown into the sea or burned - something that's not a big hassle.
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When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.
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Maybe it's just a personal thing, but I get so much grounding from Iceland because I know it's always going to be there. I have a very happy, healthy relationship with the country, so it's really easy to go everywhere because I always have Iceland to go back to.
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Part of me is probably more conservative than people realise. I like my old string quartets, I don't like music that's trippy for trippy's sake.
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I feel like the people from Iceland have a different relationship with their country than other places. Most Icelandic people are really proud to be from there, and we don't have embarrassments like World War II where we were cruel to other people.
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Sometimes when I write lyrics there are images in them, usually on a quite simplistic level, like colors. But most often music comes first and then later I sit down with visual people and we chat about what we want to do. I don't look at myself as a visual artist. I make music.
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There's something about the rhythm of walking, how, after about an hour and a half, the mind and body can't help getting in sync.
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There is such a big chunk of me that is David Attenborough. I think he is my biggest inspiration.
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Feminists bore me to death. I follow my instinct and if that supports young girls in any way, great. But I'd rather they saw it more as a lesson about following their own instincts rather than imitating somebody.
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A lot of the time I get obsessed by little nerdy things in my corner that no one else is interested in. I have that nerd factor in my character.