Oleg Cassini Quotes
I was brought up in Florence, a beautiful medieval town whose rhythm is completely in antiquity.

Quotes to Explore
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I stayed in the astronaut program until 1993. People ask me why I left. I thought I had a lot of things to contribute that would be difficult to do if I stayed. I thought I could have a stronger voice as an advocate for space exploration. So I ended up starting my own technology consulting company.
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For us, overseas employment addresses two major problems: unemployment and the balance of payments position.
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I know my corn plants intimately, and I find it a great pleasure to know them.
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Trust is something I know has to be earned whether you're a husband, a father, or a congressman.
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The most successful Subway customers, of course, are the ones who can't keep their hands off their sandwich. Join your artist in the sandwich assembling process. That sneeze guard is a suggestion. That sneeze guard is trying to intimidate you into staying on the customer's side of the partition.
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I doubt there's any government in the world that guides itself primarily by strategy or conceptual documents or worldview. Anybody who has the reins of power has to look at practical limitations and tradeoffs - the fact that you can focus at most on one or two things at a time, that resources are limited.
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I can't think of anything worse than trying to schmooze someone with the idea that you're an actor.
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The only history is a mere question of one's struggle inside oneself. But that is the joy of it. One need neither discover Americas nor conquer nations, and yet one has as great a work as Columbus or Alexander, to do.
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For my life, I need to make my own choices.
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If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
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When you're actually making the film, you're constantly battling to maintain its integrity.
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Abstract anger is great for rhetorical carrying on. You can go on endlessly about the post office, but it doesn't mean you're mad at your mailman.
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Something that's very painful for me is when people wear pants that are too short.
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I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
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I said to myself as Junction Point embarked on the Epic Mickey journey that, worst case, we'd be 'a footnote in Disney history.' Looking back on it, I think we did far better than that.
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The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future.
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I think the 19th century is an extraordinary period with a welling up of creativity and all kinds of experimentation and exploration going on at least until 1940.
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Frankly, right is right and wrong is wrong, particularly when a parent is talking to a child. A bright line around moral responsibility is very important.
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I am not alone. I am free. I no longer have to be a credit, I don't have to be a symbol to anybody, I don't have to be a first to anybody. I don't have to be an imitation of a white woman that Hollywood sort of hoped I'd become. I'm me, and I'm like nobody else.
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With 'Selma,' I grew up in Alabama, 45 minutes away from Selma. I have gone to that commemorative march many times with my parents.
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I embrace my blackness, just as I do my conservatism and my Christianity, but I don't want to be defined or pigeonholed by any one of the many elements that make up my character.
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Growing up, I would have to watch the other children and learn from my mistakes. I would have to push myself to overcome the things most people don't have to think about. Brushing my teeth was very difficult because of the noise of the brush.
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We're not the first people to climb up something or do a backflip during a set, but we want to do something that gets people's attention.
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I was brought up in Florence, a beautiful medieval town whose rhythm is completely in antiquity.