Poul Anderson Quotes
Quotes to Explore
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It doesn't matter how much you want. What really matters is how much you want it. The extent and complexity of the problem does not matter was much as does the willingness to solve it.
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There must be a goal at every stage of life! There must be a goal!
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I was born at the age of twelve on a Metro-Goldwyn-Mayer lot.
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Anybody, and any company, can have a big run of success once, but if you're going to repeat that over time, you need to be aware that you need to keep learning.
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Lester is the Rock of Gibraltar. Nothing can rattle him. I am not. I was always flying off the handle about things. And the one person who could calm me down and make me realize that none of this silliness mattered was Lester Holt.
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The field of the novel is very rich. If you're a composer, you're well aware of the history of composition, and you are trying to make your music part of that history. You're not ahistorical. In the same way, I think, if you write now, you are writing in the historical context of what the novel has been and what possibilities it has revealed.
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I've kind of blocked it out, but a good friend affectionately reminded me that yes, I was a dork. I was not a cool kid in high school.
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I think what's important in a good manager and a good agent is that they know your vision and that they are passionate about you and believe in you. Because if they don't, then they're not going to work hard for you, and they're going to send you out on things that you don't want to do.
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I think chemistry and great acting go hand-in-hand.
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In falling over in heels while trying to look attractive, you don't just hurt your body, you bear the humiliation of injuring your very soul. Physical pain? Whatever, bring it on. But the humiliation? Oh, you have seen to the very weakest part of me.
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The advantage of the emotions is that they lead us astray.
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I don't ever want to be sad about my life.
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Great events make me quiet and calm; it is only trifles that irritate my nerves.
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In a way, it's good not to be recognised as much off screen.
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I give two hoots about being typecast. It's not in my hands.
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Things do not pass for what they are, but for what they seem. Most things are judged by their jackets.
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To keep your job, you fire others or bench them or trade them. You have to do the thinking for 25 guys, and you can't be too close to any of them.
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You can tell if there's magic in something. When you start it, you want to finish it and you want it to be perfect. If you're not inspired, and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived, and I don't like to write music that's contrived.
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Other families who are poor do what they can to get out of it. My mother did not. She did not utilise her resources. She had a degree. There was something she could have done, but she actively, purposely refused that so we could have this absolutely authentic experience of the worst of capitalism: 'See? Look how bad capitalism is.'
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I recognize myself to be an intensely naive person. Most novelists are, despite frequent pretensions to deep socio-political insight.
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I never start anything with a really overt, political, or even exactly artistic mission statement.
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The lesson of travel seems to be so banal, but so great, which is that people are just so amazingly decent the world over. Given the disparity of income and wealth, it's amazing not just that you don't get robbed everywhere - it's amazing you don't get eaten.
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I did archery when I was in high school. In our gym class we had two weeks of archery, and I remember taking the bow and arrow and firing it up and across the street into a car parking lot.
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Her rank was higher than his, so high that no one in her family worked productively.
