Dustin Clare Quotes
I think there's always pieces of yourself that bleed into your character. That's inevitable.
Quotes to Explore
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The security link between us and Europe is very important for European security but also for our security.
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Now and always, hard-line policy and those who embrace it are vessels for darker forces that are at once self-cannibalizing and combustible. No good can come of them. They are unsustainable because their sense of righteousness denies human worth.
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Sometimes I think we're alone. Sometimes I think we're not. In either case, the thought is staggering.
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The most successful Subway customers, of course, are the ones who can't keep their hands off their sandwich. Join your artist in the sandwich assembling process. That sneeze guard is a suggestion. That sneeze guard is trying to intimidate you into staying on the customer's side of the partition.
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Of all Iraq's rocket scientists, none drew warier scrutiny abroad than Modher Sadeq-Saba Tamimi.
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When you are in a small rural place with cold weather and a lot of granite, you need people who are going to work hard, and you really stop worrying about what gender they are.
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When we say a show is successful, it's because, relative to the investment, it's successful, relative to how else we would have spent that money on licensing something else, does this creation - did it attract the audience that it was built for.
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'Lost' is about a bunch of people stranded on an island. It's compelling, but kind of tiny. But what sustains you are the characters.
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When the art world is done wrong, a reader's faith is lost and possibly not recuperable.
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I'd love to have William Faulkner, Beethoven and Bach over. I want to find out what makes those guys tick!
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When I grew up, I thought I was Jewish. Now I don't consider myself Jewish. I consider myself a Kabbalist.
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I love to design and remodel houses, from working with the contractors to picking the colours, materials, kitchen and bathroom accessories to finally what furniture goes where.
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Workplaces still operate like it's 1962 and one person is always at home, and they are not very good at adjusting for the fact that a majority of women work and take care of children.
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It is eerie being all but alone in Westminster Abbey. Without the tourists, there are only the dead, many of them kings and queens. They speak powerfully and put my thoughts into vivid perspective.
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I think that haredi children should study the core subjects and that their parents must work, and I believe that there are many haredim who think like me and would be glad to discover that someone is fighting the radical functionaries and rabbis who embitter their lives.
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I never miss a vote; I think that's the power of the people. A lot of people fought and died for us to have votes, for women to have votes in particular - your vote is your one weapon.
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I see myself as sexy. If you are comfortable with it, it can be very classy and appealing.
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I've purged myself of bitterness and anger and remained open to love.
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In my view, Asian countries have learnt the lessons from the past and significantly enhanced their capabilities to fend off risks.
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The preservation of the sacred fire of liberty, and the destiny of the Republican model of Government, are justly considered as deeply, perhaps as finally staked, on the experiment entrusted to the hands of the American people.
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I love character actors. If I'm switching channels, and something with Slim Pickens is on, or Walter Brennan, I'm stuck. I have to watch it.
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It's really fun to put yourself into a character - into shoes you wouldn't normally be in.
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The hard thing about 'The Saint' was that my character was supposed to die, but then they reshot the ending based on tests and she lives. I created the character based on her dying - she would never have been as innocent otherwise. So I didn't have high expectations for that film.
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I think there's always pieces of yourself that bleed into your character. That's inevitable.
