Dulquer Salmaan Quotes
It might be easy to identify me as so-and-so's son, especially to begin with, but you only get that one first film, after which you have to prove yourself and keep improving.

Quotes to Explore
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The path of least resistance is the path of the loser.
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A teacher should have a creative mind.
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In 1255, Louis IX of France presented an elephant to Henry III of England to add to the menagerie of exotic animals he kept in the Tower of London.
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I have superfine, superoily hair, so my struggle is always trying to get the volume I want. I end up not doing much with it ever.
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As a kid at school, I had a lot of really good teachers and I had a lot of really bad teachers, and I just know how much of an impact those can have on a young child. To be one of the good teachers - I want to have that kind of impact.
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I love Frank Ocean. I think he's so talented and his music is so great. So, I would love to do one of his songs like 'Bad Religion' or 'Pink Matter.'
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I don't understand why there aren't more powerful female directors. I don't have the answers, but I hope that things may start to shift and that studios will employ more women to handle strong and interesting material.
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The truth is that the history of Mexico is a history in the image of its geography: abrupt and tortuous. Each historical period is like a plateau surrounded by tall mountains and separated from the other plateaus by precipices and divides.
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When you have young children, it is hard to see live performances. Unless I am in it. I do manage to see my husband Rupert Goold's work, of course.
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The difference between the Bush I war against Iraq and the Bush II war against Iraq is that in the first one, we appealed to the sentiments and interests of the different groupings in the region and had them with us. In the second one, we did it on our own, on the basis of false premises, with extremely brutality and lack of political skill.
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When you look at the lyrics of 'Sometimes When We Touch,' it's really very much an adolescent song.
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I believe in stopping work and eating lunch.
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I looked at but was not allowed to touch Ai Weiwei's 'Sunflower Seeds' at the Tate. The film of making them was really moving.
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In Britain, you know there are people waiting to tear your stuff apart, so it's important for me to know that my music has subtleties and depth to it.
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It's inspiring for me to know that you've got to step up your game.
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My sister is my sister regardless - has always been and always will be and has no choice about it. This is a love quite distinct from that of a lover, with whom we fall in love, in part, because they are free and have a choice.
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I'm cut from a different cloth. I would never moon someone. I was raised in a good family.
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Europe itself is an embodiment of this diversity.
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When I began, I thought that the way one should work was to do all the research and then write the book.
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I rarely think about myself that much. I really don't.
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But teleological considerations can lead no further than to a belief and a hope. They do not give certainty.
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They wanted me to have a point of view, to have my mind made up from the start on a number of things. I was to be tolerant but I was not to budge beyond a certain point, and if ever I was threatened at that point, I was to stand where I was and fight. My kinfolks thought more about character than about culture. The said culture could be acquired but character had to be formed. Character had to be hammered into shape like hot iron on an anvil. It had to be molded in the most exact and unrelenting form.
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My son is old enough to respond to my work. To me, that's what it is all about.
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It might be easy to identify me as so-and-so's son, especially to begin with, but you only get that one first film, after which you have to prove yourself and keep improving.