Martin Filler Quotes
The skyscraper style first advocated by Louis Sullivan - a tower of strongly vertical character with clear definitions among base, shaft, and crown - has remained remarkably consistent throughout the history of this building type.

Quotes to Explore
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On the court, Jason Collins is not a huge basketball star, but he has already claimed his place in civil rights history as the first openly gay athlete to play in one of the four major U.S. sports leagues.
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I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances.
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If you can make a character likable that's not very nice, that's the challenge of the job.
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Music history has flowed under the bridges for many years.
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All through history, a nation or a civilization's enduring glory is articulated by its mega constructions - the pyramids, the lofty cathedrals of the Christian world.
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There are a lot of actors who will sit here and talk to you about characters - 'He does this, and she's a really interesting character because she does this.' I'm not like that at all. I'm not an actory actor.
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I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
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The history of liberty has largely been the history of the observance of procedural safeguards.
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In my mind, every single female character I've written is plus-size.
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Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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I often wonder what I will be remembered in history for. Scholar? Military hero? Builder?
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When historians of early America turned from the pursuit of past politics, they devised a category known in the academy as 'social and intellectual history.' In it, they stuffed nearly everything except politics on the assumption, which the anthropologists assured them was correct, that it would all fit together. Somehow it did not.
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Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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I have done theatre, and I enjoy the process of smaller films a lot more. When I do such films, there are certain things which I get to do which are untapped. The scenes give me the liberty to play and mould the character in accordance to the director's mindset.
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So many cartoonists draw the same year after year. When they find a style, they stick with it. They don't mess with innovation, and they become boring.
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A vow imparts stability, ballast and firmness to one's character.
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Do a man dirt, yourself you hurt.
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If this be the Messiah, then I do not wish to see his coming
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I am uncomfortable talking about the things that I write. It seems unseemly to me. I have no problem at all when I see anybody else talking about the same project, but I feel my work should speak for itself.
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The skyscraper style first advocated by Louis Sullivan - a tower of strongly vertical character with clear definitions among base, shaft, and crown - has remained remarkably consistent throughout the history of this building type.