Martin Freeman Quotes
Quotes to Explore
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I learned during all my career to enjoy suffering.
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I can't pretend to be a teenager, but I feel like I never really stopped being a teenager.
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All truly historical peoples have an idea they must realize, and when they have sufficiently exploited it at home, they export it, in a certain way, by war; they make it tour the world.
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The making of documentaries for 'Humanoids From The Deep,' 'Galaxy Of Terror' and 'Forbidden World' are absolutely fascinating.
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Singles, whatever. But selling a million albums feels like an impossible thing to do.
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You always need younger guys if you're going to be successful in the long term.
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I was born and raised in a small village, and I didn't even think I was especially pretty.
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There are always three speeches, for every one you actually gave. The one you practiced, the one you gave, and the one you wish you gave.
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I have one talent, and that's figuring out what people want about two minutes before they know it themselves.
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The best players I have seen and known have confidence in their teammates. They know that basketball's not a one-man game. That confidence brings out the best in everybody, because it's contagious.
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I was taking a break from university so I could play handball full-time for a year.
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I don't want any yes – men around me. I want everybody to tell me the truth even if it costs them their job.
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Reinforcement is being right.
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To communicate with each other, we got to get mad at each other sometimes.
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I have no fancy living at all. Well, I have a house in Sun Valley. Five acres in the woods. I guess that's fancy.
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If you ever were bullied, you'll always remember that feeling.
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You learn from your mistakes, and I think it's a good thing as long as you learn something.
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If I wasn't Eddie Albert's son, I'd be someone else's. It gave me a chance to do a lot of traveling, but mostly I'm glad I'm his son because he's such a good man.
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If we did not have the impulse and ability to believe in the impossible, we would not have religion, democracy, or marriage.
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You know, I've sold a lot of bad movies in my time.
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I do not believe that the colour of one's skin determines whether you are disadvantaged.
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The irony is that the more we fight age, the more it shows. Paint on a 50-year-old face brings to mind a Gilbert and Sullivan comic figure. Smooth the cheeks, and suddenly the ear lobes and hands look out of place. Do we run around in October, painting the gold leaves green?
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I felt a little green, because Shakespeare writes the thought process within the text; it was tricky not to think of what to say and then say it, and instead just deliver the lines.
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There are always challenges to green screen.
