Emily Mortimer Quotes
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Los Angeles is like a beauty parlor at the end of the universe.
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I want to discover more things about acting.
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The thing I miss about L.A. is time. I feel like I had much more time there, partly because no one is ever really doing anything.
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I'm trying to avoid, you know, guilt, even though before the child is born, you're already thinking you're doing things wrong... Why do I think that will probably carry over until the day you die?
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Normal people, who can be good people but do bad things, are very interesting to me, and people that never get a parking ticket or never do a bad thing in their lives can be really dangerous.
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I've only half-admitted I'm a professional. I know I am, I've paid my dues, but one of the things I could do better when I'm acting is to really be rigorous and to think I know how to do it. To use my brain.
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I guess secrets are part of the fabric of everybody's lives. I mean everybody's lives, and guilt is part of the fabric of everybody's lives.
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I went to dinner with my mother-in-law and I just realized I was talking in sound bites to her and expecting her to laugh every time I said anything or be jotting something down in a notebook. So you have to kind of really have a talk with yourself after you've done a press tour and say, 'Chill out!'
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I borrowed my friend's car the other day in an attempt to persuade my husband that we needed a car and literally this is true, in the first day of borrowing the car, I got three tickets and I rear-ended it.
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Accents are very tangible, blessedly, and if you have to do one, it's a way of getting into character. I can read it through a few times and pretend I know what I'm doing!
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I did my homework and didn't go out much, and had a very highly developed kitsch fantasy life where I dreamed of being a dancing girl.
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It's a hard thing to do, to be given a script, and know that you've got to turn up on the first day of the shoot - generally without having had any rehearsal - and present a character. It's really baffling; it's incredibly hard to know how to begin, to approach it, other than just thinking about it.
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To get art nowadays, in cinema or books or anything, that grapples with the possibility of a meaningless universe... it just doesn't happen any more. In even the most indie of the indie films, everything has to come to some kind of neat conclusion.
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I'm physically completely mal-coordinated. My best friend used to make me run for the bus just to give herself a quick, cheap laugh because I definitely don't have that sophisticated cool thing down.
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It's dangerous talking about yourself too much because you find yourself talking in sound bites.
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My dad had this philosophy that if you tell children they're beautiful and wonderful then they believe it, and they will be. So I never thought I was unattractive. But I was never one of the girls at school who had lots of boyfriends.
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I had friends at school, but I was never part of a gang and I dreamed of that sense of belonging to a group. You know, where people would call me 'Em' and shout across the bar, 'Em, what are you drinking?' after the show.
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I think half the time I just assume I don't really know what I'm doing - you have to do that to a certain extent, but you don't have to think you're an idiot savant.
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In my first few years as an actor, I took one terrible TV job after another. But even as I laughed off my awful roles and made fun of myself to friends, my work made me cringe - I dreaded anyone's seeing it. I was crushed that I wasn't doing anything I was proud of.
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I'd been shy since childhood, constantly full of self-doubt. And as an actor, I'd been so scared of failing that I made my career - and myself - a big joke.
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I'm an optimist by nature, myself, I think.
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I'm just happy to be a film where for once I don't have to worry about my hair, because my managers are always complaining about my hair looking depressing in my movies. Which is true. I mean, it's true.
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I'm still shy - I'm no good at my children's parent-teacher conferences, and I'm slowly learning how to ask for what I want. But I now know that I have a reserve of courage to draw upon when I really need it. There's nothing that I'm too scared to have a go at.
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I think we probably will end up in America because he would be giving up much more to come and live here. If you want to work in film, that's really where you have to be. But I'm not sure that being an ex-pat is very good for one's sense of self.