Emily Murphy Quotes
Quotes to Explore
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There's certain things I try to avoid, as an actress, just to keep my world from being as narrow as it could be.
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'Dangerous' is an album that I was very dedicated to. I wanted every song to be a hit.
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When I got on stage, I would have a rush of adrenaline; everybody gets it. Normally after the first night it becomes more controllable, and as long as I could ride the wave, I was still in charge.
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When I was small, I was the same as everyone else. I used to play in a small council estate nearby. But it's really my family who taught me. I started watching my dad play from the age of two. I wanted to be like him.
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There's this really good line in 'Women in Love' where Ursula says, 'I always thought it was a sin to be unhappy.' And actually I think that's very common, it's what a lot of people feel - that you have an obligation to life to be happy if you can.
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Be peaceful, be courteous, obey the law, respect everyone; but if someone puts his hand on you, send him to the cemetery.
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Fear is not a friend of mine. But it's something to have a healthy awareness of.
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I haven't sold to the movies. In other words, I haven't gotten any enormous checks yet.
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When an individual is protesting society's refusal to acknowledge his dignity as a human being, his very act of protest confers dignity on him.
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When mom and dad were at the height of their careers, and things were super-crazy, and they couldn't leave their houses, there wasn't social media. It was all about autographs. Now, everyone's the press. I feel fame is perforated: it can be glorious, but it can completely destroy a human, too.
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It is through gratitude for the present moment that the spiritual dimension of life opens up.
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I get why people want to come see me play guitar, but I still don't understand why people want to interview me.
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Shun all vice, especially card playing.
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Perhaps the greatest utopia would be if we could all realize that no utopia is possible; no place to run, no place to hide, just take care of business here and now.
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Ambition is the germ from which all growth of nobleness proceeds.
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I tell people that I'm a Christian, but I don't think it's giving an insight into who I am or what I'm about.
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At age 14, coming to the U.S., all I knew was American Ballet Theatre, Baryshnikov, Nureyev, and some of the European companies. I barely knew anything about Balanchine.
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If I need something, even a pair of socks, my assistant has to get them for me.
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Why not stand up, pump your fists in the air, and scream like a maniac?
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If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
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The comment that probably caught everyone off guard is 'We don't see a rebound anytime soon.'
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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On the prairie one can see the colour of the air.
