Deborah Moggach Quotes
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It's a very rich brew that's in your psyche by the time you're in your 60s, and I think that's rather interesting. It makes you feel you've lived a very long life; it's like going on holiday to three different cities rather than spending two weeks in Lisbon. You look back on the holiday, and you seem to have been away forever.
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I hate fussing about in the kitchen when I have people over to supper, so I make a rich beef stew cooked in wine with carrots, sundried tomato paste and chopped chorizo sausage.
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Nothing beats weaving through the rush-hour traffic or whizzing past the eternal gridlock that is the Strand.
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Psych yourself up until you're confident that the world will be interested in what happens to your characters. Confidence is key.
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I'm mad about gardening. I have an allotment on the other side of Hampstead Heath, and I keep three hens in my garden.
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Don't start writing your novel until you know your characters very, very well. What they'd do if they saw somebody shoplifting. What they were like at school. What shoes they wear. Spend days - weeks, months - being them until they thicken up and start to breathe.
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One sees more and more people who are miserable and demented and you feel it would be both kind and wise to leave them a few pills.
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Independence is fun, especially when there's a beloved waiting in the wings, and freedom makes you a more interesting person. Having separate lives brings fresh air into a relationship.
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Men take much more notice of older women in France, so I might move there. I think I'm a good bet.
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All I want is for people, when they read my books, to feel companioned, to feel they're not alone in the world.
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I've had a very lucky life because I'm of this generation where everything was possible.
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My first novel, 'You Must be Sisters,' was started in Pakistan. I've wrote several novels and a TV drama set or partly-set there.
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I found Hollywood pretty bruising and uncreative. The executives are all in thrall to the boss, and spend their times double-guessing him or her, and trying to remember what he/she said and then applying them to the script, whether it was useful or not. They're all in fear for their jobs.
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I have four Rhode Island Red hens. I get two eggs from them a day. They're feathered dustbins that eat leftover food and weeds, and they're easy to look after - I throw some grain at them in the morning, take the eggs and that's it. I love the sound of clucking.
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Living together places a huge burden on the other person to be lover, friend, entertainments manager, chef, domestic help, which is almost impossible and can lead to disappointment. If you don't live together, you spend more time with other people and ease the pressure off your lover.
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I do believe that we baby-boomers are reinventing ageing as we enter it. We're living longer and expecting more from life; the success of 'The Best Exotic Marigold Hotel,' and other films and novels about finding love late in life, have shown that if we're up for it, there are adventures awaiting us.
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A novel is utterly your own creation, a very private process. I think of a novel as a noun and a screenplay as a verb. In a novel, very little needs to happen; you can explore a person's memories and thoughts and fantasies. In a screenplay, it's all action; you must push the story on.
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If people want to take their lives and are helped to do so, the punishment is tragic for all concerned.
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I look in the mirror expecting to be 34 and see someone who is 58. What's that all about? I haven't even thought about turning 60 yet, but so many of my friends have celebrated it by now that it's lost its terror. And I don't mind being 58; it's just such a surprise when one doesn't feel it at all.
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Cycling is the only way to free ourselves from the misery of the Tube, the wall-to-wall buses that line Oxford Street, the hopelessness of even thinking about driving.
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I wanted to be a landscape architect, but I trained as a teacher; I worked in publishing; I was a waitress.
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It's not a failure if a marriage or partnership ends after a certain number of years. I think, in general, we expect too much of partners. We can't fulfil a person's every single need and, after ten years or so, many relationships wear out. If we were more philosophical about it, we wouldn't try to blame the other person or be bitter.
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Whining writers are a hideous sight; we should really shut up, because we are lucky if we can cobble together a living from all of this.
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You need to know the characters as living, breathing people before you start the plot; otherwise, you'll feel panic, anarchy and chaos.