Demetrious Johnson Quotes
In wrestling, when I was in high school, my coach said you should be able to hit every single move from any position. So, arm drag to double-leg, snap-down to double-leg. You should be able to hit a move from anywhere, so with my armbar, I can essentially hit it from any position because it's my favorite submission.
Quotes to Explore
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I think we Americans tend to put too high a price on unanimity, as if there were something dangerous and illegitimate about honest differences of opinion honestly expressed by honest men.
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I'm high energy.
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Even if a university should turn out to be another version of a school, I had decided I could lose myself afterwards as an anonymous particle of the London I already loved.
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I think sports and bodybuilding were the only things that saved me from getting beat up. People are not pleased, for whatever reason, when you can answer all the questions in class. If not for the respect I got from track, cross-country, wrestling and bodybuilding, it would have been a disaster.
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Helping set the day's agenda and deciding what we used and editing it, that was a journalistic high point. I liked reporting as well. Just doing the news - the live performance - wasn't important. Working on the desk was.
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The problem with most children's hospitals is that they are passive. They are high quality. They are filled with the best doctors. But their function is to wait until kids get sick and get referred in.
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My coaches were great. My mom and dad. My dad never missed a wrestling meet.
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It is only through such real-life daily struggles and challenges that a genuine sensitivity to human rights can be inculcated. This is a truth that is not limited to school education: it applies to all of us.
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I've done loads of things people have never seen - dramas on BBC4 and plays upstairs at the Royal Court and the Bush - and because I didn't go to drama school, they gave me an education.
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Who would have ever thought that, within a couple months of getting into the WWE, that I'd be wrestling in the main event for the world championship? Then, nine months after getting here, actually being the world champion.
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The philosophy of the school room in one generation will be the philosophy of government in the next.
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What I'm mainly interested in is not having women characters that have to be perfect, obviously. That's something I feel strongly about and have that in every single thing I've ever done.
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In the total expanse of human life there is not a single square inch of which the Christ, who alone is sovereign, does not declare, 'That is mine!'.
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I suppose I've got a natural rhythm. When I was little, I used to just dance a lot and have some fun. I'd never been taught to dance. I've never been to dance school. I do my own little dance moves.
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The Broken Bow group is such a great family and seem like a group of tight-knit people. When I looked for a new label, I wanted to feel I could trust everybody. I wanted motivation to be at an all-time high.
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I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.
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I hated school, didn't like the discipline.
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I was barely in grade school when I helped my mother rearrange the living room furniture for the first time.
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When I started teaching at Stanford Graduate School of Business in 2000, no field-based courses in strategic philanthropy existed.
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Every major life decision in my 20s and 30s - when to get married, where to buy an apartment, whether to freeze my eggs until after the election - had revolved around a single looming question: What about Hillary Clinton?
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Heroes, whatever high ideas we may have of them, are mortal and not divine. We are all as God made us and many of us much worse.
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The artist is the medium between his fantasies and the rest of the world.
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I've always loved Victorian melodrama. And I've always liked larger-than-life theater, providing it's truthful and honest. I like what the theater can provide in energy and bombast - I enjoy it when it's large, and by that I don't mean in size, I mean in emotions. Shakespeare did that.
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In wrestling, when I was in high school, my coach said you should be able to hit every single move from any position. So, arm drag to double-leg, snap-down to double-leg. You should be able to hit a move from anywhere, so with my armbar, I can essentially hit it from any position because it's my favorite submission.
