Denis Leary Quotes
Quotes to Explore
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I learned during all my career to enjoy suffering.
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All truly historical peoples have an idea they must realize, and when they have sufficiently exploited it at home, they export it, in a certain way, by war; they make it tour the world.
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I don't believe in societal restrictions. It wasn't a choice - conformity simply never occurred to me.
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Honestly, I wish I could be a part of all the remakes of my father's films. But on second thought, I wouldn't want to be a part of any. The thought of being compared to him is unnerving. I'd rather do my films than live in the fear of living up to his standards.
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Music is a powerful tool in galvanizing people around an issue. There's no better way to get your point across than to put it in a beautiful song.
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I like science fiction, I like fantasy, I like time travel, so I had this idea: What if you had a phone that could call into the past?
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The 'Room 93' EP was just kind of picking apart the sense of voyeurism and the sense of isolation and turning it into, essentially, a little black book and reflecting on - at that time - 19 years of me forming relationships with people.
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I am writing a book called 'The History of Australia in Hundred Objects.' It's of things we have invented in Australia. And you know, some of them are amazing. We invented the clapper boards used in films. We invented those cranes - those big long cranes used on construction sites.
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Too often, I've put my career and helping others ahead of my own needs.
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I'm very passionate about my two Dobermans, Stella and Mr Jonty. I go on and on and on about them, and people have to tell me to shut up before I get out pictures of them.
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I think I would have a better time writing films rather than directing.
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I grew up on Marvel and, like, '2000 AD.'
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Don't hate me for what tabloids write about me, because I guarantee it's a lie.
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Love is a positive, symbiotic, reciprocal flow between two or more entities.
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I didn't go to school a lot.
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You always need younger guys if you're going to be successful in the long term.
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I wanted to be a child actor so bad that every day I'd beg my parents if I could audition, but my mom said, 'Not until you can drive yourself to auditions.'
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Now there are certain things you have to prepare - like dialect and special skills. But in the moment, interaction between two characters on the page doesn't need - for me, I don't need to prepare that.
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There are always three speeches, for every one you actually gave. The one you practiced, the one you gave, and the one you wish you gave.
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It's necessary to track characters all the way through an opera. If you're dealing with more than one or two characters, it's very easy to forget that the others have lives of their own that feed into the story.
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It's nice to have the support of the LGBT community, because they're loyal, and they'll follow you down any career path.
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Even by proving that a certain view is indispensable for living well, one proves merely that the view in question is a salutary myth: one does not prove it to be true.
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One day there were two out in the ninth, and I hit a pop fly so high that the fans got tired of waiting for it to come down. So they all went home and listened to it drop by turning on the radio.
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I'm high as a kite and my teeth are green, merry fucking Christmas!