Martin Landau Quotes
Quotes to Explore
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Edie Sedgwick had a cool style; she pushed the envelope for the time.
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Los Angeles is peopled by waiters and carpenters and drivers who are there to be actors.
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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Beauty pageants work as a platform from where you can reach out to many.
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When the whole world is silent, even one voice becomes powerful.
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The lovers of romance can go elsewhere for satisfaction but where can the lovers of truth turn if not to history?
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I am not a Ph.D. in economics or a doctorate in literature that I can afford to take my singing lightly. Even if I sing a jingle, I take it as seriously as oxygen.
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None of our series are ever static in terms of the dates. We always have a range of flexibility to respond to whatever may or may not happen.
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I'm not the girl next door.
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When Liza Minelli was a child, she used to sit on my lap and call me Uncle Sammy.
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America is the only country that went from barbarism to decadence without civilization in between.
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I think that haredi children should study the core subjects and that their parents must work, and I believe that there are many haredim who think like me and would be glad to discover that someone is fighting the radical functionaries and rabbis who embitter their lives.
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I don't plot with huge detail, just big moments and important elements, and then I have a structure but can fly by the seat of my pants when I write.
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Let's face it; by and large math is not easy, but that's what makes it so rewarding when you conquer a problem, and reach new heights of understanding.
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I see myself as sexy. If you are comfortable with it, it can be very classy and appealing.
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I think that our comfort is in our history.
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I eat super clean and am always watching what I eat.
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I'm not trying to be a star on TV. I am who I am, which I hope comes out. I have a little bit of a different sense than most people know, and it takes a while to get used to it.
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I am told that there have been over the years a number of experiments taking place in places like Massachusetts Institute of Technology that have been entirely based on concepts raised by Star Trek.
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There's always a crisis somewhere, and you get the satisfaction of solving the problem. And then, there's always the mystery of whether a program will work or not, and waiting for the reviews or seeing what the audience figures are.
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Now it's a fully realized production but for the fact that we're holding our scripts in our hand and some of us used them, and some of us didn't and you have to by union rules hold the script. You don't have to use them but you gotta hold them.
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More-radical scholars insist that an inherent clash exists between science and our long-held conceptions about consciousness and moral agency: if you accept that our brains are a myriad of smaller components, you must reject such notions as character, praise, blame, and free will.
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If you have a character stand up and put on her shoes and open the door, in order to do that, you're imagining her shoes and her clothes and her house and her door. The character becomes more real. But once you've done that, you can probably just get it all across with a couple of details.
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How a character hides his feelings tells us something about him.
