Dennis Eckersley Quotes
Quotes to Explore
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I told my agents that I love Holly Hunter and Frances McDormand and all of these women that are good at doing comedies as well as dramas.
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Once I took a bus from my home in Maryland to Philadelphia to live on the streets with some musicians for a few weeks, and then my parents sent me to boarding school at Andover to shape me up.
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Everybody with a gun has a checkpoint in Lebanon. And in Lebanon, you'd be crazy not to have a gun. Though, I assure you, all the crazy people have guns, too.
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It's a different era. Our job now is to show leadership and vision and to help the next generation of artists.
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My sense of politics and justice was deeply shaped in adolescence by my involvement with the underground punk - rock scene, and though lots of social and political issues had come forth in my comics, it wasn't until my late 20s that I felt properly equipped to address certain issues of race, power, and violence in my work.
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I've always been about how will digital be transforming established businesses, and that's what I've done.
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Everything that has happened to me has been amazing and surprising.
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In general, being likeable is more about being interested - rather than interesting. Indeed, a good way to convince someone that you are an awesome conversationalist is to simply shut up and let the other person talk.
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Another symptom of progress toward the Singularity: ideas themselves should spread ever faster, and even the most radical will quickly become commonplace.
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I've done a lot of roles where I'm the hero saving the planet.
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I am all in favor of growing the American economy and engaging in trade with the world, but not at the expense of American workers. The North American Free Trade Agreement is a perfect example of this. Ask the textile workers of North Carolina how NAFTA worked out for them - if you can find any.
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Let not him who is houseless pull down the house of another, but let him work diligently and build one for himself, thus by example assuring that his own shall be safe from violence when built.
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If you kill someone, it shows that you are afraid of that person.
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When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.
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I know how to wrap my turban a little better now. In the beginning, it was a little weird.
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I say this all the time, but my hijab, it really is my crown, and it's something that I bring to the table. It's something that makes me unique. It shows the world who I truly am.
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I think it's funny because on 'Glee Project,' there's that added pressure, but with 'Glee,' there's no element of competition. No one's trying to dance better than anyone. But there's that added pressure of, 'So many people are going to watch 'Glee' this week. If I don't nail this dance, I look like an idiot.'
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If I had my druthers, I would be a brain in a jar, with a burlap skirt around the cart I'm on - I don't attend to my physical being much.
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I don't mind finding these ugly sides to my personality and exaggerating them because that's something you can write towards.
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I knew I wanted to be an actor for a long time, but I was based out of Chicago and then I went to New York and I did 'The Upright Citizens Brigade' out there. I had a two-man show with a guy named Oliver Ralli who's now in the band Pass Kontrol, which is a big band out of New York.
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I guess I've never really been aggressive, although almost everybody else in show business fights and gouges and knees to get where they want to be.
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There isn't a comedian in the world that hasn't bombed.
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The more I photographed Muslim women, the more I was able to metaphorically strip away the burqas and hijabs, and start chipping away at the profound misconceptions that existed in other parts of the world about these women and their culture.
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You aren't going to stick around long with just two pitches.
