Dennis Edwards Quotes
We have a portion of our show where we ask everybody to get up and do the Temptation Walk. People 8 to 80 know how to do that Temptation Walk.
Quotes to Explore
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I do focus my energy on music, but it's just the way that the industry works. I kind of have to take what I can get when it comes to acting and show up so they'll hire me. And music I get to do when I have time. It's not that I focus less, it's just the way it works.
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After the success of my first album and the success of 'Flow Joe' kind of faded, I was struggling to make some money and make ends meet.
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Because I'm in the public eye, I think that I would prefer to date someone regular who isn't in the news all the time, but I think even if you date someone regular, they'll still put it in the news.
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People know things and have a remarkable capacity to act in their individual immediate interests all the time.
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There is surely nothing other than the single purpose of the present moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there will be nothing else to do, and nothing else to pursue. Live being true to the single purpose of the moment.
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Comedy is a universal language. I grew up watching Nagesh, Surilirajan, Thenga Srinivasan and S.V. Shekhar's comedies. And, of course, Charlie Chaplin! These artists are so blessed: they can make other people happy.
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Work is the thing that happens around the game time.
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Success is not like a cake that needs to be divided. It's more like a heap of stones - a cairn. If someone is successful, they add a stone to the cairn. It gets very high and can be seen from all over the world. That's how I see it.
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I'm interested in playing, not working.
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Reverence is fatal to literature.
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I have been acting since I was thirteen.
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By the time I got to Bournemouth Art College, I'd been so inspired by Sam Raimi and Robert Rodriguez and their tiny, no-budget films that I decided to do a feature-length version of 'Fistful Of Fingers.'
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Because art as a pursuit, as a concept, as an ideal, constantly elevates one above the pragmatic, one is inclined to discuss art in heightened terminologies. For me, it is just what I do all day long.
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I think it's a mistake to go after someone just based on looks. But I always respond to people who don't act that interested in me.
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We've come a long way in our thinking, but also in our moral decay. I can't imagine Dr. King watching the 'Real Housewives' or 'Jersey Shore.'
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I'm finding myself really angry over spending and the deficit. I'm finding myself really angry over what's happening in the Middle East, the decision to stay in Afghanistan indefinitely. I'm angry about cap and trade. And I've been on record for a long time on the failed war on drugs.
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I don't want to just go out and do song to song to song. I like to create things before the song actually kicks in, little things you do to excite the crowd.
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I have a lot of growing up to do, or a lot of growing down. I think that's probably more appropriate.
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I go out and speak to women's groups all the time, and I say, 'Guys, you gotta laugh and find the humor in things. You gotta pass it on.'
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For me writing and acting all comes out of the same place, a compulsion to review and connect to something. For me they are more similar than different.
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I'd like to get my public image nearer to my reality. People have a lot of misconceptions.
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If people want to see you, they'll find you. If they don't see you on TV, they'll find you on the Internet.
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I usually shop at Charlotte Ruth and Bebe.
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We have a portion of our show where we ask everybody to get up and do the Temptation Walk. People 8 to 80 know how to do that Temptation Walk.
