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I would love, one day before this is all over, to do a Western. That, and to play a priest.
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I wanted to do Buddy Faro as a small budget movie. They said no. So I wanted to do it as a series of recurring TV movies, and they said no. So I agreed to do it as a series.
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You really have to act on the force, too. You're involved in a hundred things a day, and you have to react in a hundred different ways, depending on what's going on. And you learn that as you go through your career, how you handle certain situations, interrogations, how you carry yourself. There's a kind of acting to it.
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Am I a good actor? I don't think about it. But I'm working on it.
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I'm set in my own ways. I like to do the things I want to do when I want to do them.
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Chicago's always a friendly place to me.
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I've tried writing. Two days later I'd go visit it and say, Jesus Christ, who wrote this crap?
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When they released Sidewalks of New York, there were some shots with the towers they were going to take out, and Ed told them no. I don't think they can deny the towers were a part of New York.
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There's a whole catalogue of actors that never went to acting school.
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There's not too many offers that come my way about being in a musical.
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I really don't think there's such a thing as an ex-policeman.
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My parents, I don't know about 'strict,' but I would say they were fair and judicious, you know?
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Change never bothers me, not really.
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You can't act for the editing. You have to leave that to him. So you just go in and do the scene the way you think is right or whatever you're directed to do, and leave the rest of that technical stuff up to the director.