Derek Cianfrance Quotes
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I love people that work with passion and love. When you make choices that way, there's reverberations, consequences. That's what I'm interested in, that echo, that ripple of choice.
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We had all these smiley family pictures all over the walls of my house, but I always found those pictures to be odd because we weren't smiling all the time. I don't want to paint the picture of a total dysfunctional house, but there were a lot of arguments in that house. A lot of pain.
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I feel similar to a lot of people. I don't feel unique. So what I'm trying to do in my films is provide something for people like me, but also a collection of scenes that instigate.
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There was a time in my early 20s when I would leave a movie theater and just feel so alone and lonely afterwards. I just felt like my life was nothing like those characters up on the screen, so perfect all the time. Why didn't I talk like that? Why don't I look like that?
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As a writer, I always peel back the layers, go to the most sensitive places uncomfortably close to the heart.
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There's something so glorious in giving control to the world. I think that's what I'm trying to do in my films - control the world but also let it be chaotic, let there be life.
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I was a member of the VHS generation. I used to study movies as a kid because I had a VCR and could record a movie on HBO and just watch it repeatedly.
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I'm trying to be the coach. My actors are my players. They're doing things that I'm too cowardly to do myself.
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I grew up Catholic, so I feel guilty about everything.
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I was an audience member before I'm a filmmaker. All I've tried to do as a filmmaker was to make movies I want to see.
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When I grew up, a director was Cecil B DeMille, a guy sitting down with a megaphone speaking. He was the voice of God, the image of God. When I went to start making docs, I quickly turned the megaphone to my ear not to my mouth. It's more about funneling in the words and listening as doc filmmaker.
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There's something so great when you're watching a movie when you slowly get to know somebody more, because it's like a real relationship.
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I love actors that are brave, that are courageous. And courage to me is not the absence of fear, it's the presence of fear, and they go to places that really scare them, because as an audience, that's where you feel danger.
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I think book adaptations, the best one to me is like 'Brokeback Mountain.' Which is a short story, 21 pages, that expands so beautifully into a movie.
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I never learned to be a writer. I never took screenwriting courses. I never read anyone's scripts. As a writer, my only guiding principle has been to write about things that scare me, write about things that make me feel vulnerable, write about things that will expose my deepest fears, so that's how I write.
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One of the bad things about being a filmmaker, about being me, is I can hardly read a book anymore because every time I read something, I have a poaching mentality, like, 'Oh, can this be a movie?'
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I ask all my actors to do two things: I ask them to fail for me, and I ask them to surprise me.
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When we make these movies, you sign up for an experience. It's not just, 'Action! Cut!' There's not that safety in it. It's kind of a dangerous place to be. I mean, it is safe, but it gets personal. It's no longer about saying the lines. It's about really having an experience.
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If you make a movie that's close to your heart, it will be close to other people's.
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Look, pain is there in the world, and there's catharsis through that. I feel like there's... a rapture, if we can get through it, if we can confront things.
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I'm not asking actors to act. I'm asking them to behave. I want to see their being, not how they can fake it.
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I think people need fantasy, but I think they also need to know that they're not being lied to. I think sometimes the fantasy can betray people and become more difficult for people's lives than just truth. I can't stand delusion. Delusion makes me sick.
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There's one rule that I have on my movies, which is that anything that you want to do, you can do. But! There's a flip side to that, which is that anything I want you to do, give it a try also.
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You turn on the news, there're no facts anymore. 'Here's what's happening today,' and then you cut to thirty minutes of people in little boxes, little windows, telling you their opinions on it. It seems like all the news is going on in the ticker-tape on the bottom of the news. It's all opinion, it's all editorial.