Derek Walcott Quotes
I always have difficulty with the Greek tragic plays. I think the difficulty one has - which is a serious problem - is the question of belief. Do you believe in the myth that the play expresses? Do you believe in it as myth or as reality? With any play, you have to believe in it as reality. You can't act a myth.
Quotes to Explore
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I never feel with the fashion stuff that it's too fake. If I was a model and had a working part in Fashion Week, then I might feel like that, but I'm just a visitor. I really only walk in and watch the shows and think, 'Maybe I could wear that in a video.' I meet the designer, say hello, and then I go.
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A theoretical system does not merely state facts which have been observed and that logically deducible relations to other facts which have also been observed.
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I want to live in a country that is not just a place but also an idea, and Jerusalem is the heart of the idea. There may be practical considerations, but a country cannot exist without an ethos, and Jerusalem is an ethos.
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Jesus was not denying the legitimacy of biblical law. On the contrary, He was affirming biblical law. We love God first; God commands us to keep His word; therefore, we must enforce the law on ourselves.
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The duty of the media is to observe truth and social responsibility.
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Advertising is the price companies pay for being unoriginal.
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I've never had to compromise myself for a job, ever.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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If you are going to make a change, don't go halfway. Make it with conviction and stick with your new idea. Ignore the scoffers. Remember, it is a law of nature that if something is different you're going to be taunted, jeered, and told the world is flat. Let the doubters fall off the edge.
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And I will show that nothing can happen more beautiful than death.
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Religion is something we don't talk about, and it is used by uneducated people as a weapon to divide us as opposed to connect with each other.
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I hope to do big action movies and strong dramas, and to produce films. I also want to get kids more involved in what's going on in the world and to be politically active.
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I am not musically educated yet. I don't read - I make my own language that works for myself. But I play by ear.
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'Bramhotsavam' is a celebration of families, life and togetherness. It's a film I hold close to my heart.
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We'll free every slave in every town and region. Can anybody get a bigger army than that?
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There's a play that Chekhov wrote called 'Uncle Vanya,' and I when I was in school, I played Sonya, and sometimes people ask me if there was ever a role I could play again, that's definitely the role I would play again: Sonya in 'Uncle Vanya.'
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn't awful.
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The British tend to shy away from the spotlight. We don't like being singled out in any way, and I think that is something which is important for me to learn to do.
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I think the aloe is one of South Africa's most powerful, beautiful and celebratory symbols. It survives out there in the wild when everything else is dried.
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I try to drink a lot of water and always moisturize. When my skin gets cranky, I use Proactiv to keep it clear. That stuff really works.
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The best is when we all go at once, like an army of interrelated popcorn zombies who laugh the same laughs and gasp the same gasps and aren’t so germ-phobic with each other that we won’t share a ginormous Coke with one straw. Family is useful like that.
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There is no suspense in inevitability.
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Under the deluge of minute-to-minute text conversations, emails, relentless exchange of media channels and passwords and apps and reminders and tweets and tags, we lose sight of what all this fuss is supposed to be about in the first place: ourselves.
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I always have difficulty with the Greek tragic plays. I think the difficulty one has - which is a serious problem - is the question of belief. Do you believe in the myth that the play expresses? Do you believe in it as myth or as reality? With any play, you have to believe in it as reality. You can't act a myth.
