Preston Sturges Quotes
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I did all my directing when I wrote the screenplay. It was probably harder for a regular director. He probably had to read the script the night before shooting started.
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You can't go around the theatres handing out cards saying, 'It isn't my fault'. You go onto the next one.
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For a southern belle, my grandmother was remarkably modern. She threw my grandfather out, for one thing - some kind of argument about bourbon whiskey - shortly after the birth of their third child, and then went back to school to get herself a teaching certificate.
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Much as I disliked the un-American idea of marrying a lady with a dowry, I must admit that little Mrs. Godfrey's little private income put everything in a faintly different light.
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Film is the greatest educational medium the world has ever known.
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Our gymnasium was remarkable and had more stuff in it than one could dream up in a nightmare. Furthermore, every boy had to use every piece of it during gymnasium class.
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How many years and how many pictures does it take to win the confidence of Paramount? How many years before my fellow workers say, 'I know he is doing his best?'
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I go through life accumulating possessions... I've always done it... and then, every once in a while, a sort of tidal wave comes along and washes them all away.
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I should have had the pickle.
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By the very nature of his art, which depends on invention and innovation, a story teller must depart from the beaten track and, having done so, occasionally startle and disagree with some of his associates. Healthy disagreement we must have.
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I worked out a rather deep-dish theory defining the theater as a form of architecture rather than a form of literature.
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It is probably a very good thing for a boy to learn to live with enmity, as opposed to an atmosphere of love and affection, as it hardens him and gives him a taste of what he is going to run into later in life.
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The United States owes a great debt to its inventors. Far from being grateful to them, it places every obstruction in their way and makes it enormously difficult to secure a patent.
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I have always wondered why the movie industry was so firmly persuaded that the original author could be of no possible help in the case of a remake or any other change in a work.
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The more nearly the film cutter approaches the natural law of interest, the more invisible will be his cutting. If the camera moves from one person to another at the exact moment that you in the legitimate theatre would have turned your head, you will not be conscious of a cut.
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The more you stand in the limelight, the more scarred you will become and the more you will love the limelight.
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I always was and always will be optimistic.
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The most incredible thing about my career is that I had one.
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The hook is a word or an idea spoken by one character which gives the next character something to hook onto when he responds or, like a trapeze artist, gives him something to swing from on his way to another point of view.