Preston Sturges Quotes
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Despite my express wish, I was not left in Chicago, but taken to Paris to live, and I did not see my father for many years. But we never stopped loving each other, and in 1940 he died in my arms in Hollywood, where he had come to be near me at the end.
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You can't go around the theatres handing out cards saying, 'It isn't my fault'. You go onto the next one.
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I have always wondered why the movie industry was so firmly persuaded that the original author could be of no possible help in the case of a remake or any other change in a work.
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I did all my directing when I wrote the screenplay. It was probably harder for a regular director. He probably had to read the script the night before shooting started.
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Theater in which you eat is the oldest form of theater.
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I should have had the pickle.
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I have never done anything but my very best work for anyone, and to do this and retain my first fine enthusiasm over a period of thirty years has required a rather special set of working conditions.
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The United States owes a great debt to its inventors. Far from being grateful to them, it places every obstruction in their way and makes it enormously difficult to secure a patent.
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I go through life accumulating possessions... I've always done it... and then, every once in a while, a sort of tidal wave comes along and washes them all away.
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How many years and how many pictures does it take to win the confidence of Paramount? How many years before my fellow workers say, 'I know he is doing his best?'
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The more you stand in the limelight, the more scarred you will become and the more you will love the limelight.
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Our gymnasium was remarkable and had more stuff in it than one could dream up in a nightmare. Furthermore, every boy had to use every piece of it during gymnasium class.
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By the very nature of his art, which depends on invention and innovation, a story teller must depart from the beaten track and, having done so, occasionally startle and disagree with some of his associates. Healthy disagreement we must have.
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It is probably a very good thing for a boy to learn to live with enmity, as opposed to an atmosphere of love and affection, as it hardens him and gives him a taste of what he is going to run into later in life.
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I worked out a rather deep-dish theory defining the theater as a form of architecture rather than a form of literature.
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The more nearly the film cutter approaches the natural law of interest, the more invisible will be his cutting. If the camera moves from one person to another at the exact moment that you in the legitimate theatre would have turned your head, you will not be conscious of a cut.
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The hook is a word or an idea spoken by one character which gives the next character something to hook onto when he responds or, like a trapeze artist, gives him something to swing from on his way to another point of view.
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I always was and always will be optimistic.
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The most incredible thing about my career is that I had one.