Nelson Algren Quotes
The Impossible Generalized Man today is the critic who believes in loving those unworthy of love as well as those worthy - yet believes this only insofar as no personal risk is entailed. Meaning he loves no one, worthy or no. This is what makes him impossible.
Quotes to Explore
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I was incredibly determined - I wrote short stories, I wrote the beginnings of novels. I wrote a little children's book and sent it to the editor-in-chief of the children's division of Simon and Schuster and she asked me to write a little children's book for a series she was doing.
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Now, do I think the baby boomers tend to be self-absorbed? I do.
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On stage, I like to dress up a bit. I'm not scared to be like a character up there.
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I was raised by an actress, and I watched all those women turn 60 and ask, Shouldn't get face work? My mother and Anne Bancroft said, We're not going to fall into that.
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In a family of all girls, I was always the 'boy' in my mind - the protector, the masculine one. No one would ever have to worry about me.
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I had strong legs that would have made me a good sumo wrestler and I used that to my advantage, but my home runs were achieved by technique.
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I didn't grow up listening to The Smiths, but now I am a fan. I love his music and listened to so much of it for the film. It's not a regular biopic; they picked a part of his life that people don't really know about. You learn what informs his lyrics.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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It's not the situation, but whether we react negative or respond positive to the situation that is important.
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Lesser artists borrow, great artists steal.
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I could live very quietly, do advertising to earn money.
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Talking to other people who make low-budget movies, everyone kind of has the same struggle.
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The thing that's good about music-making software like the DAW-kinda systems is that they're all generally the same; the kind of interface is normally laid out in a similar way. Depending on the program, the sounds might be quite different, but they tend to all have a drum machine or synthesizer or a sampler.
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I view my pitching on how confident I was out there, period. And if I lose that confidence, I can become a prisoner of my own mind.
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My father felt that his world of ideas was too liberal for traditional rabbinical teachings, and he looked for a chance to find a way in life.
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I love comedy because I'm naturally a very silly person.
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It was treacherous. I think someone was injured. But I did love being there, we all did.
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I'll kind of get interested in a subject and I won't know why. It'll be in my head for many years and I'll say, 'Do I know enough here to research?'
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Once upon a time there were four little Rabbits, and their names were – Flopsy, Mopsy, Cotton-tail, and Peter.
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A tedium that includes only the anticipation of more tedium; the regret, now, of tomorrow regretting having regretted today.
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There's a long tradition of black folks pleading with white people. It's a tradition that emerges from political necessity, so I get it; I'm just not very interested in it.
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I get to play characters that kind of shock people and I enjoy doing that. I like characters that have meaning and get people in the heart. I want to be able to get people to cry or make people angry or sad.
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The Impossible Generalized Man today is the critic who believes in loving those unworthy of love as well as those worthy - yet believes this only insofar as no personal risk is entailed. Meaning he loves no one, worthy or no. This is what makes him impossible.
